CARLOS ON THE RUN Roles (in order of appearance) Played by Phone number 1) Bounty Hunter 1 (Agent A-1) 2) Bounty Hunter 2 (Agent A-2) 3) Carlos 4) Carlos¹ father 5) G.L.O.B. agent who killed father 6) Mandella Cortez 7) Mr. Clean 8) Woman in house that is robbed 9) Police officer 1 10) Police officer 2 11) Police officer 3 12) Juan Dolla 13) TV news reporter 14) Secretary 15) Interior decorator 16) The Leader 17) Guard 1 18) Guard 2 19) Salesman 20) The salesman¹s customer 21) Guard 3 22) Federal Agent 1 23) Federal Agent 2 24) Police officer 4 25) Police officer 5 26) Police officer 6 Descriptions of the characters: CARLOS ROLE IN THE MOVIE: A thief who got involved with a large crime organization. Once, when he went to rob a house with a couple other crooks he was captured, and put in jail. After two years Carlos was busted out of jail by his old friend Juan Dolla. They escaped to a warehouse. After escaping from jail, Carlos ended his involvement with the crime organization. Now Carlos is hiding from the Global Legion of Bounty Hunters (G.L.O.B.), who are out to capture him. COSTUME: Ripped-up ³Private Victories² shirt under a heavy old gray coat. Black Jeans, black boots, long hair in a ponytail. JUAN DOLLA ROLE IN THE MOVIE: Carlos¹ old friend. He broke him out of jail after it became apparent that the crime organization that Carlos belonged to was not going to do anything to help him. Juan and Carlos are forced to fight the G.L.O.B. as well as federal agents. COSTUME: Old green camouflaged jacket, blue jeans, old sneakers or boots. MANDELLA CORTEZ ROLE IN THE MOVIE: One of the crooks who went with Carlos to rob a house two years ago. After shooting two police officers and a woman, Mandella ran away with the money he had stolen. On his way out of the house, Carlos saw that one of the police officers who had been shot was still breathing. He bent down to try to help him out, but no sooner was he caught and sent to jail. Mandella Cortez knew that Carlos was very mad at him for letting him get captured, and then not doing anything to free him. He gets worried when he hears that Carlos has escaped from jail. To be safe, Mandella Cortez has the Global Legion of Bounty Hunters go after Carlos and send him back to jail. COSTUME: Black Sweatshirt, black jeans, glasses, a short ponytail, and a mustache. MR. CLEAN ROLE IN THE MOVIE: He is the other crook who went with Carlos to rob the house two years ago. He now is just as worried about Carlos¹ jail-break as Mandella Cortez is. Together, Mr. Clean and Mandella Cortez do everything they can to get Carlos put behind bars. Mr. Clean earned his nickname by ³cleaning up² whole roomfuls of people at a time, and being very neat about it by politely removing the bodies. He gets a chance to ³clean up² towards the end of the movie, when he machine-guns everyone in the Leader¹s office except for the Leader himself-- Carlos ends up taking care of him. COSTUME: Old clothes, and a mustache. BOUNTY HUNTER 1 (AGENT A-1) ROLE IN THE MOVIE: He is The Global Legion of Bounty Hunters¹ top agent. He and bounty hunter 2 make complete fools of themselves trying to capture Carlos. COSTUME: Button-down short sleeve shirt from the 70¹s, necktie, dress pants, and a belt with a holster. He has a badge on the front of his shirt. His neck is quite noticeably red. BOUNTY HUNTER 2 (AGENT A-2) ROLE IN THE MOVIE: He is The Global Legion of Bounty hunters¹ second-best agent. He and bounty hunter 1 are no match for Carlos and Juan Dolla. COSTUME: Basically the same as Bounty Hunter 1¹s costume. He also is a red neck. THE LEADER ROLE IN THE MOVIE: He is the chief executive officer of the Global Legion of Bounty Hunters. The Leader is a very mysterious man. His face is always concealed in darkness, except for at the end of the movie. Nobody knows very much about him, but all of G.L.O.B.¹s employees treat him like he is God. He supervises the G.L.O.B. agents as they try in vein to capture Carlos. COSTUME: Dark suit and tie, and dark sunglasses, making his almost undistinguishable against the dark background of his office. Even against the darkness, it is possible to depict his red neck. THE 2 FEDERAL AGENTS ROLE IN THE MOVIE: Two federal officers tap into computer signals being sent by the G.L.O.B. organization and find out that G.L.O.B. itself is a criminal organization. They discover that the legion is planning to assassinate the president of the U.S. In viewing all of G.L.O.B.¹s secret computer files, the federal agents also learn about where Carlos is hiding. When the agents see that G.L.O.B. is planning to infiltrate Carlos¹ hideout, they decide to head down to the hideout so that they can capture both Carlos and the criminal G.L.O.B. agents and ³Kill two birds with one stone.² (They fail, of course.) COSTUME: Nerdy 70¹s shirts and pants. They wear ties, belts, and holsters, like the bounty hunters. Instead of badges, they wear plastic name tags with pictures of themselves on them. Their necks are unquestionably red. THE SALESMAN (AGENT Z-99) ROLE IN THE MOVIE: A door to door salesman comes to a house to try to sell his worthless product. His potential customer gets so annoyed with him that he threatens to shoot him with his trusty rifle. As the salesman runs away from the house he sees Carlos run by, being chased by the bounty hunters. The salesman recognizes Carlos, because on his way out of jail, he killed the salesman¹s son by stuffing his ice cream cone down his throat. The salesman runs after Carlos and the bounty hunters. When the bounty hunters stop, the salesman explains how he wants to get revenge against Carlos.The bounty hunters take him to The Leader, who makes him an honorary G.L.O.B. member. COSTUME: Short sleeve button down shirt, nerdy 70¹s pants, and and dress shoes. His neck is far too red to go unnoticed. CARLOS ON THE RUN STORYLINE: In 1960 a small time thief from the small time town of East Woodland, Maine was killed by a bounty hunter from a huge organization known as the Global Legion of Bounty hunters, or G.L.O.B, pronounced ³glob², not ³globe.² His young son Carlos grew up to become a small time thief himself. However, he got involved with a violent crime organization and started to commit more serious crimes. Back in 1975 Carlos went out to rob a house with two other guys from the crime organization. The two others were Mandella Cortez and a man called ³Mr. Clean.² After robbing the house, the three started to make their escape. Mandella Cortez and Mr. Clean shot a woman and two police officers in the process. Mandella Cortez and Mr. Clean quickly ran from the house. Carlos started to follow them, but stayed behind when he saw that one of the police officers who had been shot was still alive. He went over to see if he could help him, but no sooner did another police officer capture him and he was put in jail. It is now 1977, and Carlos¹ old friend, Juan Dolla, has just broken him out of jail. A small boy got in Carlos¹ way while he was running away from the jail, so Carlos stuffed the boy¹s ice cream cone down his throat, killing him. Carlos and Juan Dolla escape to an old abandoned warehouse, which used to be their hideout, before Carlos joined the crime organization. Carlos quickly ends his involvement with the organization, because they had done absolutely nothing to help him escape from jail. While Carlos and Juan are in the warehouse, two bounty hunters from the G.L.O.B. organization come in and search for them. Because the two bounty hunters are totally incompetent, stupid fools, they do not see any trace of either Carlos or Juan in the warehouse. Later, the bounty hunters report back to the head of the G.L.O.B. corporation, who is a dark, mysterious figure known only as The Leader. Meanwhile, Mandella Cortez and Mr. Clean hear on a TV news report that Carlos escaped from jail. They get scarred, because they know that Carlos will be after them. Carlos would have good reason to want to kill them since they did not try to bust him out of jail. Mandella Cortez and Mr. Clean decide that they should hire authorities to capture Carlos. Since they themselves are criminals, it would be out of the question to go to the police. So the only other possible place to turn to is the Global Legion of Bounty Hunters. Mandella Cortez and Mr. Clean schedule an appointment with The Leader. They tell him that before they give him information on Carlos, they want their fair share of the bounty for his capture. After receiving one hundred thousand dollars, they tell the Leader that Carlos is hiding in the warehouse. The Leader tells them that his bounty hunters have already searched the warehouse, and that they have found absolutely no trace of Carlos. So he takes back all of the money. But Mandella Cortez and Mr. Clean insist that Carlos is in the warehouse. So The Leader orders a couple of his bounty hunters to return to the warehouse to search for Carlos. When they arrive, the bounty hunters find Carlos. A big fight between the bounty hunters and Carlos and Juan begins. Eventually, the bounty hunters chase Carlos and Juan Dolla out of the building and towards a nearby house. Meanwhile, a door to door vacuum cleaner salesman is trying to sell a new vacuum called the ³Attack Vac² to the man who lives in that house. The man gets so annoyed with the bothersome salesman that he threatens to shoot him if he doesn¹t get off of his property immediately.While the salesman is running away from the house, he sees Carlos and Juan run by him, being chased by the bounty hunters. He notices that Carlos is the man who killed his son by stuffing his ice cream cone down his throat. So he chases after him. Eventually, Carlos and Juan Dolla escape by jumping over a barbed wire fence that is too high for the bounty hunters or the salesman to climb over. The salesman tells the bounty hunters how Carlos was the escaped convict who murdered his son. The bounty hunters decide to take him back to the G.L.O.B. headquarters so that he could become an honorary G.L.O.B. member until Carlos is captured. The bounty hunters then prepare for the big upcoming fight with Carlos at the warehouse. Meanwhile, Carlos and Juan are also preparing for the big battle. At the same time, two federal agents tap into the G.L.O.B. computer network, and discover that G.L.O.B. is actually a criminal organization that is conspiring against the U.S. Government. In looking at the on-line computer files, the federal agents discover that G.L.O.B.¹s plan is to infiltrate the warehouse that Carlos and Juan are in. The federal agents learn where the warehouse is, and decide to go there to kill two birds with one stone- both Carlos and the bounty hunters. A short time later the federal agents unexpectedly show up at the warehouse. In the huge fight that follows everyone except Carlos and Juan are injured. When the bounty hunters radio to the Leader that they are losing, he sends Mandella Cortez and Mr. Clean to the warehouse to assist them. Actually, the real reason that The Leader sends Mandella Cortez and Mr. Clean is so that they could be killed. Then G.L.O.B. would be able to collect the bounty on their bodies. Somebody- it is not yet revealed who- has offered a reward for the capture of Mandella Cortez and Mr. Clean. In the fight at the warehouse, the federal agents, the salesman, and both of the bounty hunters are killed. Carlos shoots Mandella Cortez with a rocket launcher, injuring him. Mandella Cortez and Mr. Clean escape to try to hide from Carlos. Outside of the warehouse, they see one of the federal agents, dying. In his last breath before he dies, the federal agent tells Mandella Cortez and Mr. Clean that the only reason they were sent to the warehouse was so they could be killed. Then G.L.O.B. could easily collect the bounty for him. In the federal agent¹s very last breath before he dies, he tells Mandella Cortez that Carlos put a bounty on his head. The federal agent learned all this while he was looking through the G.L.O.B. computer files. After Mandella Cortez and Mr. Clean recover somewhat, they return to the G.L.O.B. building with the intent to kill everyone there. Before they step into The Leader¹s office, Mandella Cortez tells Mr. Clean ³It¹s clean up time.² Mr. Clean shoots everyone in the building, one by one. Just as he is about to shoot the Leader, Carlos appears and says ³This one¹s mine.² He shoots The Leader with his machine gun. For a moment, Mandella Cortez hesitates, then he orders Mr. Clean to shoot Carlos. Mr. Clean aims at Carlos and pulls the trigger, but he is out of ammo. Carlos quickly attacks Mr. Clean and knocks him out, then he beats up Mandella Cortez. He ties him to a chair, then makes him access the G.L.O.B. computer files for him so that he can find out the whereabouts of the bounty hunter who killed his father way back in 1960. After receiving the information, Carlos sets a bomb in the building with a time delay fuse. He escapes from the building, and it blows up just as the police are arriving. Carlos then goes to the house of the bounty hunter who killed his father and beats him to death, and in the process has a lot of fun destroying several large appliances and china dinnerware. Then he walks off into the sunset, passing a sign that reads ³Welcome to Canada.² Video technique reference: Close-up shot: A camera shot that only shows the subject¹s head and shoulders Middle shot to close-up: Shows head, solders, and part of torso Middle shot: Shows head, shoulders and all of torso Middle to long shot: Shows head, solders, torso, and part of legs Long shot: Shows entire person, plus a lot of their surroundings Prior to the start of the movie, these words appear on the screen against a black background: Seventeen years ago, a top agent from the Global Legion of Bounty Hunters killed a fugitive. That fugitive¹s son Carlos, who at the time was only a small boy, vowed to get his revenge against the Global Legion of Bounty Hunters. Over the years, his promise to destroy the legion was slowly forgotten. But the memories of his father¹s death have suddenly returned... ...and so has the G.L.O.B. The words fade out, then the blackness fades into the first scene of the movie. Scene # Time Estimate Scene Description Dialogue 1 0:00:07 Woods is shown. SMB 3 pipe music None starts playing in the background. The words ³East Woodland, Maine, 1977² appear at the bottom of the screen. No camera movement. 2 0:00:13 More woods. Extremely slow pan None (L to R) Music continues. 3 0:00:17 More woods. Music continues. None 4 0:00:20 More woods. Music continues. None 5 0:00:23 More woods. Extremely slow pan None (R to L) Music continues. 6 0:00:26 More woods. Music continues. None 7 0:00:29 More woods. Music continues. None 8 0:00:33 More woods. Very slow pan None (L to R) Music continues. 9 0:00:36 More woods. Music Continues. None 10 0:00:44 More woods. Music volume is None lowered. Two bounty hunters are off in the distance, slowly walking toward the camera, with their guns loaded. They wear very nerdy 70¹s clothing. 11 0:00:49 Middle shot left side view of the None Bounty hunters. They hold their guns nervously, and walk cautiously. Slow pan (R to L) Music continues. 12 0:00:59 Mid shot front view of the B.H. 1: I just don¹t get it. bounty hunters, with the camera B.H. 2: Me either. at knee level, tilted upwards. The B.H. 1: He couldn¹t have just bounty hunters begin speaking for disappeared. the first time, and relax a little Music continues. 13 0:01:05 Mid shot right side view of the B.H.1: We¹ve been searching for bounty hunters, walking slowly. this guy for hours. Slow pan (L to R) Music continues. B.H. 2: Do you want to just forget about it? Scene # Time estimate Scene Description Dialogue 14 0:01:08 Long shot front view of bounty B.H. 1: I guess so. By now he¹s Hunters. Camera zooms out slowly probably in Canada. Bounty hunters continue to talk. Music continues. 15 0:01:17 Long shot rear view of bounty B.H. 2: All right, let¹s head back. hunters. After B.H. 2 speaks the camera slowly tilts upward. Song #13 on the Donkey Kong Country soundtrack starts playing. The camera shot reveals Carlos, hiding up in a tree directly above the bounty hunters. 16 0:01:23 The bounty hunters are shown None walking towards the camera in the foreground. They pass the camera on the right side of the screen, then the focus switches to Carlos, up in the tree in the background. He looks down at the bounty hunters. Music continues. 17 0:01:29 The camera angle changes to a view None from the tree Carlos is in. The bounty hunters are walking away. Music Continues. 18 0:01:36 Camera is zoomed in on Carlos, up in None the tree. It slowly zooms out to reveal the distance to the ground. Music Continues. 19 0:01:41 Very long shot of the bounty hunters None from 6 feet above ground level, walking away. It is a rear view. 20 0:01:44 Mid shot of Carlos up in the tree, None with camera level to tree, 6 feet away. Carlos looks over his shoulder, then jumps out of the tree. ³Whipping² by Pearl Jam starts playing. 21 0:01:46 Camera is on the ground, tilted all None the way up. Carlos falls from the tree. Music continues. 22 0:01:50 Long shot of Carlos landing, then None sprinting toward the camera very quickly. Music Continues. Scene # Time estimate Scene Description Dialogue 23 0:01:55 Long shot of the bounty hunters B.H. 1: Hey! That¹s Carlos! hearing Carlos, then turning B.H. 2: Freeze! around and chasing after him. Camera pans following them. Music Continues. 24 0:01:58 Long shot side view of Carlos None running, with a stone wall in the foreground. Camera pans following him. Music Continues. 25 0:02:01 Side/back view of bounty hunters None chasing Carlos, with their guns loaded. Carlos is off in the distance, running away. Music continues. 26 0:02:05 Camera is on the ground, tilted None upward slightly. Carlos charges toward the camera, then jumps just as he reaches it. Music continues. 27 0:02:09 Long shot side view of Carlos None running to the left and jumping over a stream. Bounty hunters follow a few seconds later Music continues. 28 0:02:14 Mid shot front view of Carlos, None with the camera dollying in front of him. The screen fades/wipes into a flashback. The music fades out. 29 0:02:21 In the flashback, it is dusk, and a None man is shown on a ridge over- looking the sunset. The words ³East Woodland, Maine, 1960² appear at the bottom of the screen. ³Wake up² plays in the background. 30 0:02:25 Middle shot side view of the man None (Carlos¹ father), still watching the sunset. Music continues. 31 0:02:31 Long shot rear view of Carlos¹ None father. From the right side of the screen an armed bounty hunter quietly walks toward Carlos¹ father. Music continues. Scene # Time estimate Scene Description Dialogue 32 0:02:34 Middle Shot, right side view of None Carlos¹ father, unaware that he is being seen. Music continues. 33 0:02:38 Long shot, left side view of Carlos¹ Carlos¹ father: Ugghh... father. The bounty hunter emerges from the right of the screen and smashes a bat over his head. Music continues. 34 0:02:42 Middle shot, side view of Carlos¹ Bounty hunter: You never thought father on the ground, unconscious. G.L.O.B. would find you, The bounty hunter holds the broken huh? bat in one hand, and kicks him. Music continues. 35 0:02:49 Middle shot, front view of the Bounty hunter: Maybe some day bounty hunter. He bends down we¹ll get to do this to and the camera tilts, following your son, too. him. He picks up Carlos¹ father by the collar. Camera zooms out. Then he axe kicks him. Lots of fake blood splatters out. He drops him; camera tilts back down and zooms in. Music continues. 36 0:02:53 Wide, stationary shot of the None bounty hunter slowly walking towards the right of the screen. Carlos¹ father¹s body is left on the left side of the screen. Fade to black. Music fades out. 37 0:02:58 Middle Shot, front view of Carlos None running through the woods. Camera dollies in front of him. The bounty hunters are some distance behind him, running also. No music. 38 0:03:05 Camera is positioned on the ground, None tilted upward. Carlos is chased around a bend in the path. 39 0:03:09 Middle Shot, front view of Carlos None running through the woods. Camera dollies in front of him. The bounty hunters are some distance behind him, running also. Wipe into another flashback. Scene # Time estimate Scene Description Dialogue 40 0:03:17 The front of a large house is shown. Mr. Clean: You picked a good house The words ³East Woodland, Maine, Mandella Cortez. 1975² appear at the bottom of the screen. Carlos and two other goons, named Mandella Cortez and ³Mr. Clean² approach the house from the left side of the screen, and walk up to the front porch. ³Wake up² starts playing again, in the background. 41 0:03:24 Camera is positioned one foot above None the porch, at an angle tilting upwards slightly. The three robbers come up to the door. Mandella Cortez takes out a crowbar, and begins working at the door. Music continues. 42 0:03:30 Camera is positioned eight feet Mandella Cortez: Carlos, you and above the floor of the house. On the Mr. Clean take care of left is the door. On the right is a this table, I¹ll take table with paperweights and what I can find in the valuables on it. Strait ahead is a kitchen. hallway with a doorway to the right. Carlos stands at the end of the table Mr. Clean: Ok. holding open a bag, while Mr. Clean slides everything into it. At the same time, Mandella Cortez heads toward the door (into the kitchen) Music continues. 43 0:03:34 Long shot front/side view of Mandella None Cortez, in the kitchen. He walks to the right, with the camera panning, following him. He sees a purse and some money and keys on the counter. Music continues. 44 0:03:38 Close up side view of the purse. Mandella Cortez: Hmmm Hmm Mandella Cortez grabs it, and the Hmmm... .... keys and the wad of cash. Music continues. 45 0:03:45 Long shot, right side view of Woman: Ahhhh! Mandella Cortez, holding the purse, and walking through the kitchen. Camera pans, following him. A woman comes through the doorway. She is very frightened. Mandella pulls out his gun. Music continues. Scene # Time estimate Scene Description Dialogue 46 0:03:50 Close up front view of the woman, Woman: Wha... What do you wan... screaming. Gunshot sound is heard over the music. The woman falls backward. Music continues. 47 0:03:53 Camera is positioned at the kitchen None doorway. Mandella Cortez puts away his gun, then runs out of the kitchen. Music continues. 48 0:03:56 Camera is in the same position as Mandella Cortez: Come on, we¹re in scene #42. Mandella runs past outta here! Carlos and Mr. Clean, and they follow him out of the house. Music continues. 49 0:03:58 Close up of the front door, with None Mandella Cortez, Mr. Clean, and Carlos running out of it and slamming it shut behind them. Music continues. 50 0:04:00 Camera is positioned as high as None possible in front of the house, showing all three sprinting down the sidewalk with the items they stole. Music continues. 51 0:04:05 Camera is positioned in front of None Carlos, Mandella, and Mr. Clean. They run down the drive way, and suddenly stop short, surprised and frightened. Music continues, 52 0:04:08 Long shot, front view of two Police officer 1: Hold it right police officers, facing the crooks, there! with their guns aimed at them. Music continues. 53 0:04:10 Long shot, front/left side shot of None the crooks. Mandella Cortez and Mr. Clean instantly take out their guns and aim them at the officers Carlos does not take out his gun. Music continues. 54 0:04:13 Mid Shot, front view of the cops, None being shot multiple times in slow motion, with blood exploding from their chests. The collapse, dead. Music continues. Sound effects of gun shots are added. Music continues. Scene # Time estimate Scene Description Dialogue 55 0:04:18 Camera is positioned high above None the scene, with the house in the background. As Mandella Cortez and Mr. Clean run away, Carlos stands near the dead cops. The screen fades out. Music fades. 56 0:04:22 Mid shot, front view of Carlos, None being chased through the woods. Camera dollies in front of him. Whipping resumes in middle of song. 57 0:04:28 Long shot, side view of Carlos None running. No camera movement. After Carlos runs by, The bounty hunters run by. Music continues. 58 0:04:33 Mid shot, front view of Carlos, None as in scene 56. Screen fades out, and Carlos enters another flashback. Music fades out. 59 0:04:38 Long shot, front view of Carlos, Carlos: Hmmm, not dead. looking at the cop. He sees that he is not dead after all. He bends down to help him. Wake up starts. 60 0:04:45 Closer shot of the Carlos and the None cop. The cop is in the foreground, at the bottom of the screen, with blood all over him. Carlos takes out a handkerchief, and tries to stop the bleeding. Music cont. 61 0:04:50 Camera is positioned 7 feet off the None ground. It slowly dollies toward Carlos and the cop. Music cont. 62 0:04:57 Same camera angle as in scene 60. None Two another cop walks up behind Carlos. Carlos lifts his head for a moment and looks into the camera, frightened. Music continues. 63 0:05:01 Same camera angle as in shot 61, None dollied in all the way. Carlos looks around at the camera, scared, when he sees the police officers. Music continues. Scene # Time estimate Scene Description Dialogue 64 0:05:05 Camera is at knee level, pointed None upward. The cops are shown, pointing their guns at the screen. The cop reaches down to grab Carlos, because he thinks that he murdered the other two cops. Music continues. 65 0:05:10 Front / left long shot of a cop None grabbing Carlos around the neck and pointing his gun at him. Music continues. 66 0:05:15 Front view, long shot of the cops None dragging Carlos away. They walk toward the camera until only Carlos¹ angry face is left on screen. A screen wipe ends the scene. Music continues. 67 0:05:20 Carlos is shown standing in a None prisoner's uniform. The camera zooms back to reveal jail bars. Carlos grabs onto the bars, then he turns away. 68 0:05:25 Carlos walks into a corner of the None cell. He sits down on the floor and puts his head down. Shadows of the jail bars are cast on the floor and the wall. Fade out of flashback. Music ends. 69 0:05:29 Screen fades back in, with the None camera dollying in front of Carlos, as he runs through the woods. The camera suddenly stops dollying and Carlos runs past it, as do the bounty hunters chasing him. Music resumes where it left off. 70 0:05:32 Long shot, side view of chase, with None camera panning to the left almost as fast as Carlos and the bounty hunters run. A stream runs in the foreground. Music continues. 71 0:05:38 Long shot of Carlos running to the None right, with camera panning, following him. Carlos looks back behind himself at the bounty hunters, and not seeing where he is going, smacks into a tree. Music continues. Scene # Time Estimate Scene Description Dialogue 72 0:05:42 Long shot of Carlos, falling to the None left, into a stream. The tree he smacked into is on the right of the screen. Music continues. 73 0:05:47 Middle shot, front view of Carlos None emerging from the stream, seeing stars. The bounty hunters are far off in the background, running towards him. Music continues. 74 0:05:51 Long shot, front view of the None bounty hunters running up to the edge of the stream, and pulling out their guns and aiming at Carlos. Music continues. 75 0:05:55 Front view, long shot of Carlos, None dodging the bullets, which are making splashes in the water all around him. Music continues. 76 0:05:59 Long shot, front view of the bounty None hunters, who stop firing at Carlos and run towards the camera, until they are the only thing left in the lens. Music continues. 77 0:06:05 The bounty hunters emerge from None camera lens, and run into the stream and start to cross it. Carlos is at the other side, running away. Music continues. 78 0:06:09 front/right view of Carlos, running None up the bank of the stream and ducking behind a tree. The bounty hunters are in the background, running towards Carlos. Music cont. 79 0:06:15 Middle shot, side view of Carlos, None standing to the right of a tree. He reaches into his pocket and takes out a small bomb, and lights the fuse. Music continues. 80-A 0:06:19 Long shot, front view of the bounty B.H.1: Shit! hunters running up the bank of the stream. Then they suddenly stop, and the music stops. Scene # Time Estimate Scene Description Dialogue 80-B 0:06:22 Front view, middle shot of Carlos, Carlos: It¹s all over. holding the bomb up in his right hand. The camera is positioned at knee level and tilted upward to make Carlos look overpowering. 81 0:06:25 Long shot, front view of the B.H.2: Run! bounty hunters, who see Carlos with the bomb, and turn around and run back down to the stream. 82 0:06:29 Back/right hand side view, long None shot, of Carlos, running forward a few steps and throwing the bomb across the stream, to where the bounty hunters are. Suspenseful D.K. country boss music starts playing. 83 0:06:32 Long shot, front view of the None bounty hunters, running towards the camera. The bomb lands right between them. The bounty hunter on the left side of the screen dodges off to the left, and the bounty hunter on the right side of the screen dodges off to the right. Music continues. 84 0:06:37 Long shot, side view of Carlos, None running back away from the stream and the bounty hunters. Music continues. 85 0:06:41 Bounty hunter number 1, who None dodged off to the right of the screen in scene 83, is shown running forward, and flying onto the ground, with his hands over his ears and his face cringed, waiting for the bomb to go off behind him. Music continues. 86 0:06:45 Bounty hunter number 2, who None dodged off to the left in scene 83, does the same as bounty hunter number 1 in scene 85. Music continues. Scene # Time Estimate Scene Description Dialogue 87 0:06:49 Close up of the bomb, with the None fuse burning. Music continues. 88 0:06:53 Close up of bounty hunter number None 1, as in scene 85. Music continues. 89 0:06:56 Close up of bounty hunter number None 2, as in scene 86. Music continues. 90 0:06:59 Close up of the bomb with the fuse None burning, as in scene 87. Music continues. 91 0:07:01 Close up of bounty hunter number None 1, as in scene 88. Music continues. 92 0:07:03 Close up of bounty hunter number None 2, as in scene 89. Music Continues. 93 0:07:05 Close up of the bomb with the fuse None burning, as in scene 90. Music continues. 94 0:07:06 Close up of bounty hunter number None 1, as in scene 91. Music continues. 95 0:07:07 Close up of bounty hunter number None 2, as in scene 92. Music Continues. 96 0:07:08 Close up of the bomb with the fuse None burning, as in scene 93. Music continues. 97 0:07:08.5 Close up of bounty hunter number None 1, as in scene 94. Music continues. 98 0:07:09 Close up of bounty hunter number None 2, as in scene 95. Music Continues. 99 0:07:09.5 Close up of the bomb with the fuse None burning, as in scene 96. Music continues. 100 0:07:09.75 Close up of bounty hunter number None 1, as in scene 97. Music continues. 101 0:07:10 Close up of bounty hunter number None 2, as in scene 98. Music Continues. 102 0:07:10.25 Close up of the bomb with the fuse None burning, as in scene 99. Music continues. Scene # Time Estimate Scene Description Dialogue 103 0:07:10.25 Close up of bounty hunter number None 1, as in scene 100. Music continues. 104 0:07:10.375 Close up of bounty hunter number None 2, as in scene 101. Music Continues. 105 0:07:10.5 Close up of the bomb with the fuse None burning, as in scene 102. Music continues. 106 0:07:10.625 Close up of bounty hunter number None 1, as in scene 103. Music continues. 107 0:07:10.75 Close up of bounty hunter number None 2, as in scene 104. Music Continues. 108 0:07:10.875 Close up of the bomb with the fuse None burning, as in scene 105. Music continues. 109 0:07:11 Close up of bounty hunter number None 1, as in scene 103. Music continues. 110 0:07:11.125 as in 107 None 111 0:07:11.25 as in 108 None 112 0:07:11.375 as in 109 None 113 0:07:11.5 as in 107 None 114 0:07:11.625 as in 108 None 115 0:07:11.75 as in 109 None 116 0:07:11.875 as in 107 None 117 0:07:12 as in 108 None 118 0:07:12.125 as in 109 None 119 0:07:12.25 as in 107 None 120 0:07:12.375 as in 108 None 121 0:07:12.5 as in 109 None 122 0:07:12.625 as in 107 None 123 0:07:12.75 as in 108 None 124 0:07:12.875 as in 109 None Scene # Time Estimate Scene Description Dialogue 125 0:07:13 as in 107 None 126 0:07:13.125 as in 108 None 127 0:07:13.25 as in 109 None 128 0:07:13.375 as in 107 None 129 0:07:13.5 as in 108 None 130 0:07:13.625 as in 109 None 131 0:07:13.75 as in 107 None 132 0:07:13. 875 as in 108 None 133 0:07:14 as in 109 None 134 0:07:14.125 as in 107 None 135 0:07:14.25 as in 108 None 136 0:07:14.375 as in 109 None 137 0:07:14.5 as in 107 None 138 0:07:14.625 as in 108 None 139 0:07:14.75 as in 109 None 140 0:07:14.875 as in 107 None 141 0:07:17 Close up of the bomb, as in None scene 108. The fuse goes out, and the bomb doesn¹t go off. The music stops. 141 0:07:22 Bounty hunter number 1 is shown, None as in scene 109. He opens his eyes and takes his hands off his ears, but is still cautious. He slowly gets up. 142 0:07:30 Long shot, front view of bounty None hunter number 1 standing up and walking forward, towards the bomb. The camera pans to the right as he cautiously picks it up. He walks over to the other bounty hunter. Scene # Time Estimate Scene Description Dialogue 143 0:07:42 Long shot, front view of bounty B.H. 1: Hey! Hello! Wake up! hunter number 1, walking up to bounty hunter number 2, who is still on the ground, waiting for the bomb to go off. Bounty hunter B.H. 2: Wha.... Ahhhhhhh!!! number 1 calls number two but he doesn¹t respond. He bends down in front of him, and yells at him a couple of times. Finally he wakes up, and acts startled. Then when he sees that bounty hunter number 1 is holding the bomb in front of him he screams very loudly. 144 0:07:46 Middle shot, front view of B.H. 1: Don¹t worry! It¹s safe!. The bounty hunter number 1, fuse went out. reassuring bounty hunter number 2 that the bomb is safe. 145 0:07:51 Close up, front view of bounty B.H. 2: Okay... Okay... hunter number 2, who still is half Ahhhhhhh!!! Get away! in shock. He takes a couple of deep breaths, then opens his eyes wide and screams at the top of his lungs and quickly scrambles away. 146 0:07:58 Close up, front view of bounty B.H.1: Huh? What¹s the matter? hunter number 1, with a puzzled Nothing¹s wrong.... expression on his face. He stands Ahhhhh!!! up, still confused by why bounty hunter number 2 got so scared. Then he looks down at the bomb in his hand. The camera tilts downward. The bomb has some sparks coming from it, then what little is left of the fuse bursts into flames. He screams and drops the bomb. 147 0:08:00 Long shot, front view of bounty None hunter number 1 dropping the bomb to his left and sprinting away. 148 0:08:03 Camera is positioned close to the None ground. Bounty hunter number 1 sprints forward and dives down to the ground in front of the camera. At the same time, bounty hunter 2 dives down to the left of number 1. A huge, fiery explosion goes off. Scene # Time Estimate Scene Description Dialogue 149 0:08:05 Close up, front shot of bounty None hunter number one¹s face. His mouth is open wide, and his eyes are shut. A bright red glow shines on the sides of his face, from the fire around him. Parts of his face are badly burned, (black acrylic paint.) 150 0:08:07 Close up of the fire from the None explosion. 151 0:08:13 Wide shot, front/left side view B.H. 1: Uggghhhh... of the bounty hunters, who are both badly burned. They slowly get up and brush themselves off. They have bloody bruises on their faces. 152 0:08: 21 Middle shot, front view of both B.H. 2: I thought you said the fuse on bounty hunters. that bomb went out. B.H. 1: It did go out... then it lit back up again. B.H. 2: You almost got us both killed. B.H. 1: It¹s not my fault. 153 0:08:31 Long shot, rear view of both B.H. 2: Where¹s Carlos? bounty hunters. As they speak, the camera rises and tilts B.H. 1: Looks like he¹s back on the upwards at the same time. run. After bounty hunter number 1 finishes speaking, The song Lifeless Dead, by Mad season starts playing, and the title screen ³Carlos on the Run² appears against the blue background of the sky. 154 0:08:38 After the title screen, the None setting changes to the inside of an abandoned warehouse. The first few scenes set the mood, showing close up, slow panning views of different things inside the dark warehouse. A wall is shown, with a ceiling support in the foreground, and junk all over the place. Music continues. Scene # Time Estimate Scene Description Dialogue 155 0:08:45 A different part of the warehouse None is shown. Dark shadows are cast in the scene. The place is dirty, and water drips from the ceiling into a puddle on the floor. Music Continues. 156 0:08:56 Another dark part of the warehouse. None Old boxes are shown on the floor, close up. Music Continues. 157 0:09:05 Another part of the warehouse. Old None tires and broken machinery are shown. Music Continues. 158 0:09:17 Another part of the warehouse is None shown. Some crates are shown in the foreground, with some other junk around the area. Suddenly, another heavy crate in thrown down in front of the others. It is labeled ³FLAMMABLE.² Music Continues. 159 0:09:27 Close up of some cans of paint and None oil, and some other chemicals, and some cable and wires on the floor. Music Continues. 160 0:09:42 Very slow pan of a large portion None of a wall of the warehouse with lots of fogged up windows. The camera movement stops just before the scene ends. Music continues. 161 0:09:49 The camera is pointed at a down- None ward angle from the ceiling of the warehouse. The pile of crates is shown on the floor. A pair of hands throw another crate onto the pile. A light hanging from the ceiling swings back and forth, causing the shadows to move around. Music Continues. 162 0:09:58 Mid-shot, front view of ³Juan Dolla² None packing machine guns into another crate, sealing it up, and throwing it onto the pile. Music Continues. 163 0:10:02 Close up of the crate landing on the None pile. Music Continues. Scene # Time Estimate Scene Description Dialogue 164 0:10:09 Juan Dolla is shown standing up. None He kicks away some of the dirt and junk on the floor, then looks over his shoulder, at Carlos, who is talking on the phone. The Camera goes out of focus, then focuses in on Carlos, who is too far away to be heard speaking. Music fades out slowly. 165 0:10:18 Close up, front view of Carlos, Carlos: ... yeah, Juan Dolla busted listening to the phone. He glances me outta jail. I was almost over at Juan Dolla, then starts caught again on my way speaking to his crime boss. here... 166 0:10:27 Long shot, front / side view of Carlos: ...I¹m in the old abandoned Carlos, talking on the phone. warehouse I used to hang out in. in East Woodland... ...Maine.. 167 0:10:33 Close up, left side view of Carlos on Carlos: ...A couple of bounty hunt- the phone, with Juan Dolla standing ers from GLOB almost got in the background. me a little while ago. ...yeah... ...uh huh... 168 0:10:49 Middle shot, front view of Carlos, Carlos: ...Well, ya know, I¹m really talking on the phone. pissed at Mandella Cortez and Mr. Clean for just leaving me at that house for the cops... ...Well, I saw that one of those cops Mandella Cortez shot was still alive, so I went over to him... 169 0:10:53 Close up, front / left side view of Carlos: ...Then a couple other pigs grabbed me and dragged me off to the big house... Carlos talking on the phone. 170 0:11:03 Juan is in the foreground, lighting Carlos: ...that got me two years a cigarette. Carlos is in the middle- behind bars... ...I wish you ground, standing near the phone. guys would have tried to Juan turns and looks at Carlos. break me out earlier... 171 0:11:12 Close up, left side view of Carlos on Carlos: ...you could have done the phone, with Juan Dolla standing something... ...Instead you in the background. just left me behind bars for two years... ... ... ... Scene # Time Estimate Scene Description Dialogue 172 0:11:20 Middle shot, front view of Carlos, Carlos: ... ... ... ...Why don¹t you on the phone. just forget about picking me and Juan Dolla up. We can make it on our own out here without you guys! 173 0:11:25 Long shot, front / left side view Carlos: IDIOT! of Carlos, smashing the telephone against the wall. (A small charge goes off, making sparks and some smoke fly up from the side of the wall) 174 0:11:30 Middle shot, front view of Juan Juan Dolla: What was all that about? Dolla, throwing his cigarette on the floor and talking to Carlos. 175 0:11:41 Long shot, front view of Carlos, Carlos: From now on Juan, we¹re not talking. doing business with with that bastard... I never should of gotten involved with Mandella Cortez or Mr. Clean... ...I hope I never hear from them again. 176 0:11:50 Middle shot, front view of Juan Juan Dolla: I wouldn¹t bet on that Dolla, talking to Carlos. Carlos¹s happening. Now that you¹re head is in the foreground on the out of jail they¹re probably left side of the screen. scared. They¹ll want you behind bars before you have a chance to get back at them. 177 0:11:55 Front view, middle shot of Carlos. Carlos: Yeah... That makes sense. He is interrupted by banging coming They don... WHAT??! from off of the screen. He quickly turns around. 178 0:11:59 A garage door is shown. The two Bounty hunter 1: We know you¹re in bounty hunters have found Carlos¹ there!!! hideout. 179 0:12:03 Long shot of Carlos and Juan. Juan Dolla: What the hell?! Carlos: Hide! 180 0:12:08 Front/ Left side view of Juan Dolla, None sprinting across the room and diving under a pile of junk near a wall. His legs stick out from the pile of junk. Scene # Time Estimate Scene Description Dialogue 181 0:12:12 Back/ right side view of Carlos, None ducking behind some crates. Unlike Juan Dolla, Carlos is Completely hidden. 182 0:12:19 The garage door opens and the Bounty hunter 2: Come on out! We bounty hunters come in. have you completely surrounded! 183 0:12:24 Carlos is shown, poking his head Bounty hunter 1: Come on! Now! out from behind the crates to see With your hands up! where the bounty hunters are. The bounty hunters are not shown on the screen, but they can be heard in the background. 184 0:12:32 Juan Dolla is shown. The camera None shows his legs sticking out from under the junk he dived under. The camera moves over to show his head. His face is all dirty and there is garbage all around him. His eyes are squinted shut. 185 0:12:39 Long shot, front/ right view of Bounty hunter 2: I know you¹re in the bounty hunters. They walk there! forward, with their guns loaded. 186 0:12:46 Front view of the bounty hunters. Bounty hunter 1: Let¹s split up. They walk toward the camera. Bounty hunter 1 walks over to the Bounty hunter 2: Good idea. left, and bounty hunter 2 turns to the right. 187 0:12:51 Long shot, back/left view of Bounty None hunter 2. He walks over to where Carlos is hiding, behind the crates. 188 0:12:55 Front view, middle shot of Carlos, None squinting his eyes and sinking lower behind the crates. 189 0:13:06 Middle to long shot, front/ left side Bounty hunter 2: Hey, look! A view of bounty hunter 2. He notices machine gun. I wonder why it¹s that some of the crates are full of here. guns and other weaponry. He picks up a gun and examines it. Then he shrugs his shoulders and places it back in the crate. He peers around the other crates, but doesn¹t see Carlos. Scene # Time Estimate Scene Description Dialogue 190 0:13:11 Front view, Long shot of Bounty Bounty hunter 1: What? ...Whoooo! hunter 1, walking forward. Juan owww! Dolla¹s legs are on the floor in front of him. The bounty hunter Doesn¹t see Juan, and trips over him. 191 0:13:15 Middle to long shot of Bounty Bounty hunter 2: What was that? hunter 2, turning around when Are you all right? he hears bounty hunter 1 trip over something. 192 0:13:20 Long shot. front/ left side view Bounty hunter 1: Yeah, I just of bounty hunter 1, lying on his tripped over something. stomach on the floor, over Juan Dolla¹s legs. 193 0:13:28 Long shot, side view of bounty Bounty hunter 2: What¹d you trip hunter 2 walking over to bounty over? hunter 1. Bounty hunter 1: Looks like a couple of legs. 194 0:13:33 Middle to long shot of bounty Bounty hunter 2: That¹s strange. hunter 2. The camera is positioned I wonder what a couple at knee level, and pointed up at of legs would be doing his face. in a place like this... 195 0:13:38 Long shot, front/ right side view Bounty hunter 1: I don¹t have a of bounty hunter 1, getting up. clue. Did you find any The back of bounty hunter 2¹s evidence of anyone is on the left side of the screen being in here? in the foreground. 196 0:13:44 Reverse angle, with bounty hunter Bounty hunter 2: Nope. All I found number 1¹s head in the foreground were a bunch of loaded and bounty hunter number 2 in machine guns and some the background, speaking. other junk. 197 01:13:53 Long shot, side view of both bounty Bounty hunter 1: The leader isn¹t hunters. (hunter number 2 on the gonna like this. He was left of the screen.) After talking, sure that Carlos guy they walk toward the camera. would be in here. Scene # Time Estimate Scene Description Dialogue 198 0:14:14 The camera is positioned in the Bounty hunter 2: He even said that opposite direction, facing the he knew this was his garage door. The bounty hunters secret hideout. emerge from both sides of the camera and walk out the garage Bounty hunter 1: Weird. Real weird. door, closing it behind them. After the door is shut, the camera zooms back somewhat, and Carlos comes on to the right side of the screen, and Juan Dolla comes onto the left of the screen. 199 0:14:29 Camera is positioned is the Juan Dolla: Man, that was close! opposite direction, showing Carlos on the left of the screen Carlos: Those guys are so stupid! and Juan on the right of the That guy didn¹t see you, screen. Juan is still covered in even after he tripped over dust. you! Juan Dolla: Yeah... That other one didn¹t get suspicious even when he saw all our guns. 200 0:14:33 Long shot, front view of Carlos, Carlos: Maybe we should conceal with Juan Dolla¹s head on the our weapons next time. right side of the screen in the Especially if we¹re gonna foreground. keep this place as our hideout. 201 0:14:41 Long shot, front view of Juan Juan Dolla: Naaah... They¹ve Dolla, with Carlos¹ head on the already searched this left side of the screen in the place. They¹re not gonna foreground. come back again. They're gonna go somewhere else to look for us. 202 0:14:45 Same camera position as in scene Carlos: Yeah, I guess you¹re right. 200. Let¹s chill. 203 0:14:52 Same camera angle as in scene 199. Juan Dolla: I know where we can this is the last warehouse scene. get that cool new video After Juan speaks the camera zooms game, Pong. out, and ³I Don¹t Know Anything² by Madseason starts playing. Carlos: Boss, man! Scene # Time Estimate Scene Description Dialogue 204 0:15:27 A rather dark room is shown. The Mr. Clean: Ya know, sometimes I camera dollies across the room wonder, would Carlos be slowly. There¹s lots of junk all over mad at us if he ever got the place. The camera starts on the outta jail? I mean, it¹s right, as it moves to the left, some kind of our fault that he records and tapes are shown on a got caught. table near a half-empty can of soda and some spilt popcorn. A boom box Mandella Cortez: He¹d probably want is shown. On the left of the table is to kill us. But he a TV set and some other junk. The shouldn¹t of stayed camera continues to dolly/ pan to the behind at that house left, and two guys are shown, sitting, after we took off. watching the news on TV. They are Mandella Cortez and ³Mr. Clean.² Mr. Clean: Yeah I bet he¹s reel Before Mr. Clean speaks, the pissed at us right now, Madseason music fades out. After since we never tried to Mr. Clean says his last line he stands break him out of jail. up and reaches forward to turn on the TV set. Mandella Cortez: Well, it¹s too late to do anything now. 205 0:15:32 Middle shot, front / left view of the None TV, with Mr. Clean turning it on and flicking through the channels. 206 0:15:35 Mandella Cortez is shown sitting in None his chair, drinking a can of soda. 207 0:15:39 Mr. Clean is shown, tuning in a None channel and walking back to his seat. The camera view is the same as in scene 178. 208 0:15:45 Mr. Clean sits back down in front None of the TV. He and Mandella Cortez watch. 209 0:15:54 The screen of the TV is shown. A TV news reporter: ...Yes, I¹m here news reporter is on location, at the East Woodland Maximum telling of Carlos¹ jail break. security prison, where recently, a prisoner awaiting execution escaped. At this point, we don¹t know exactly how he escaped, only that he was aided by someone outside the prison complex. 210 0:15:59 Mandella Cortez and Mr. Clean None exchange glances, then look at the screen again. Scene # Time Estimate Scene Description Dialogue 211 0:16:06 The TV screen is shown again. TV news reporter: The escaped convict goes by the name of Carlos. He¹s five feet, nine inches tall, and weigh... 212 0:16:19 Long shot, front view of Mandella Mandella Cortez: Carlos? Cortez and Mr. Clean. Mandella raises his eyebrows. Mr. Clean: Man... 213 0:16:22 The TV screen is shown again. TV news reporter: The police are searching the East Wood- land area for the convict. 214 0:16:28 Mandella Cortez and Mr. Clean are Mandella Cortez: I can¹t believe it. shown, as in scene 186. If he¹s outta jail, we¹re dead. 215 0:16:52 The TV screen is shown again. TV news reporter: Currently, agents from the Global Legion of Bounty Hunters are also searching for Carlos. If you have any information concerning the whereabouts of this man, you can contact the police or the Global Legion at the numbers on your screen. A large reward is being offered to whoever can submit information leading to the arrest of this criminal. He should be considered armed and dangerous. 216 0:17:03 Mandella Cortez and Mr. Clean. Mr. Clean: We should call the cops... discuss what they should do. before Carlos finds us. Mandella Cortez: What are you, stupid? Have you forgotten that we¹re murderers? The cops want us as much as they want Carlos! 217 0:17:09 Long shot, side view, of Mandella Mandella Cortez: Were should call Cortez walking up and shutting off the Global Legion of the TV. The camera is 4 feet off Bounty Hunters. the floor. 218 0:17:13 Middle shot, front view of Mr. Mr. Clean: But wouldn¹t they be after Clean, sitting down. us too? Scene # Time Estimate Scene Description Dialogue 219 0:17:27 Long shot, of Mr. Clean sitting Mandella Cortez: No, because there down, with Mandella Cortez isn¹t any reward for us, walking over and sitting down. only for Carlos. The Global Legion of Bounty Hunters doesn¹t care how many people we¹ve killed. Mr. Clean: Ok, you want me to call them? 220 0:17:55 Middle shot, side view of Mandella Mandella Cortez: I¹ll call. ... Hello. Cortez, getting up again. He picks I have information on the up the phone and calls the Global man who was busted out Legion of Bounty Hunters. of jail yesterday. 221 0:18:13 Middle shot, front view of Mandella Mandella Cortez: I don¹t think so. I Cortez, on the phone. want my fair share of the bounty. In advance. Yes. I¹d like to speak with him personally. I¹ll be there in fifteen minutes. 222 0:18:18 Long shot, front / side view of Mandella Cortez: We¹re gonna be Mandella Cortez, speaking to making some cash off of this Mr. Clean after hanging up the deal. phone. 223 0:18:24 Middle shot, front view of Mr. Mr. Clean: Sounds good to me. Clean, sitting. After Mr. Clean speaks, the scene ends. 224 0:18:29 The outside of the G.L.O.B. building None is shown. The big GLOB sign is especially noticeable. 225 0:18:39 Mandella Cortez and Mr. Clean shut Mandella Cortez: Now you let me do off their car, get out, and walk all the talking. towards the camera. Mr. Clean: All right. 226 0:18:45 The doors to the building are None shown. Mandella Cortez and Mr. Clean walk inside. Scene # Time Estimate Scene Description Dialogue 227 0:18:49 The camera is positioned in the None building¹s lobby, facing the front doors. Mr. Clean and Mandella Cortez walk in, and towards the camera. 228 0:18:56 A secretary is shown at her desk. None she looks up and sees Mr. Clean and Mandella Cortez. 229 0:19:02 Front/right view, Middle shot of Mandella Cortez: Excuse me, which Mr. Clean and Mandella Cortez. floor is the head bounty The secretary is at the right side hunter¹s office on? of the screen. 230 0:19:04 Front view, Middle shot of the Secretary: Who are you? secretary. 231 0:19:11 Front view, middle / long shot of Mandella Cortez: I¹m Mr. Cortez, Mandella Cortez and Mr. Clean and this is Mr. Clean. We¹re scheduled to meet with the head bounty hunter. 232 0:19:17 Middle shot, front view of the Secretary: You mean The Leader? secretary. She calls The Leader¹s One minute... ... ... office on her phone. Yes... Are you scheduled to meet with a Mr. Cortez and a Mr. Clean today? ... ... ...Excuse me, are you the two who called here fifteen minutes ago saying that you had information on today¹s jail break? 233 0:19:19 Middle shot, front view of Mandella Mandella Cortez: Yes. Cortez. The secretary¹s head is shown on the right side of the screen in the foreground. 234 0:19:29 The secretary speaks to The Leader, Secretary: Yes, they¹re here in the then hangs up the phone. lobby right now. Ok, they¹ll be right down. Right now they¹re modeling the lower level, so don¹t mind the mess down there. Scene # Time Estimate Scene Description Dialogue 236 0:19:47 Middle / long shot, Front view of Mandella Cortez: Ok, thanks. Mandella Cortez and Mr. Clean. They take the card key and walk off to the right. 237 0:19:54 Long shot / front view of Mandella None Cortez and Mr. Clean walking forward. They come up to an elevator on their right. 238 0:20:01 Middle shot / back view of Mandella None Cortez and Mr. Clean opening the elevator and stepping inside. ³Entrance into Torian² Metroid Music starts playing. 239 0:20:04 The buttons on the elevator are None shown. Mandella Cortez¹s hand presses the bottom button. Music Continues. 240 0:20:09 Front / left side view of Mandella None Cortez and Mr. Clean in the elevator. Music Continues. 241 0:20:16 The elevator is shown from the None outside, on the bottom floor. It opens, and Mandella Cortez and Mr. Clean step out. They walk right into the lens of the camera. Music continues. 242 0:20:22 The camera is positioned so that it None is outside the elevator, facing away from it. Mandella Cortez and Mr. Clean are shown walking away from the elevator. The ground floor has stone and cement walls, and is very dimly lit. Mandella Cortez and Mr. Clean approach a doorway. Music continues. 243 0:20:37 A large sign on an easel is shown. Mr. Clean: This place sure is a mess. It reads ³Currently Remodeling Woodland Interior Decorating² A three-dimensional architectural drawing of what the place will be like in the future is shown below the words. The camera pans away from the sign to show Mandella Cortez and Mr. Clean walking by. Music continues. Scene # Time Estimate Scene Description Dialogue 244 0:20:43 Mandella Cortez and Mr. Clean are Mandella Cortez: Excuse me. shown walking through the doorway into a large, bare room. (Long shot, front view.) Mandella Cortez sees an off-screen person behind the camera. Music stops before Mandella Cortez starts speaking. 245 0:20:47 Long shot of a man taking measure- Interior decorator: Yeah, what do ments of a wall. He turns around you want? and sees Mandella Cortez and Mr. Clean. 246 0:20:51 Middle shot, front view of Mandella Cortez: Could you tell me Mandella Cortez and Mr. Clean. where the head bounty hunter¹s office is? 247 0:20:55 Long shot, front view of the Interior decorator: You mean the interior decorator. He has his face leader? That door down in his clipboard, writing over there. But it¹s down numbers. Without looking up, locked, you know. he points over to the door to the Leader¹s office. 248 0:20:58 Long shot, front view of Mandella Mandella Cortez: I know. I have the Cortez and Mr. Clean. key. 249 0:21:02 The interior decorator is shown Interior Decorator: All right. on his hands and knees, making more measurements. 250 0:21:07 Long shot, Front view of Mandella None Cortez and Mr. Clean, walking to the Leader¹s office. 251 0:21:11 Middle shot, side view of Mandella None Cortez and Mr. Clean stepping up to the door of the office. Mandella Cortez takes the card key and reaches out to pass it through the slot. 252 0:21:18 Close up shot of the card being None passed through the slot. A light inside the card reading mechanism glows while the card is being passed through it. 253 0:21:26 Back view, long shot of Mandella None Cortez and Mr. Clean. The door swings open and they walk in. The door shuts behind them. Scene # Time Estimate Scene Description Dialogue 254 0:21:31 Front View, Middle shot of Mandella None Cortez and Mr. Clean, facing the Leader¹s desk. Their faces have yellow light shining on them. 255 0:21:35 The Leader¹s desk is shown. He is None sitting behind it, but his face is in darkness. There is a computer on the desktop. Mandella Cortez¹s head is shown on the right side of the screen in the foreground. The Leader¹s hands are folded on the table in front of him. 256 0:21:40 Middle shot, front view of Mandella Mandella Cortez: Excuse me. I am Cortez and Mr. Clean. (Same as in Mr.Cortez, and this is Mr. Clean. shot 228.) 257 0:21:57 Shot of the leader at his desk. Left The Leader: I have been expecting side view, middle shot. He speaks you. You said you have to Mandella Cortez and Mr. Clean, information on the man who (They are not on the screen.) recently escaped from jail, but you would like to be paid first. It is rare that G.L.O.B. has to share its profits. But we can accommodate your needs. 258 0:22:11 Front view of The Leader at his The Leader: One hundred thousand desk, like in scene 229, but dollars. Fair enough? Mandella Cortez is not in the frame. The Leader snaps his fingers, and a man comes out of the darkness behind the desk with a briefcase. he opens it up. It is full of cash. 259 0:22:14 Front view, middle shot of Mandella Cortez: Oh, I suppose. Mandella Cortez and Mr. Clean, As in scenes 228 and 230. Mr. Clean has a surprised expression on his face. 260 0:22:18 Side view of The Leader at his The Leader: Now tell us everything desk. The man who got out the you know. briefcase hands it to Mandella Cortez, with an evil look on his face. (Mandella Cortez and Mr. Clean are on the left side of the screen.) Scene # Time Estimate Scene Description Dialogue 261 0:22:30 Front view, middle shot of Mandella Cortez: Well, I used to know Mandella Cortez and Mr. Clean. Carlos well. But for years Mandella starts to speak to The now we haven¹t spoken to Leader. each other. He¹s turned into a rotten criminal. I don¹t know what came over him. 262 0:22:39 Front view of The Leader behind Mandella Cortez: He was the nicest his desk, in shadows, as in scene guy... Then all of a sudden, 229. he turned into a murderer. The Leader: Get on with it. 263 0:22:48 Front view, middle shot of Mandella Cortez: Well, I think I know Mandella Cortez and Mr. Clean. where his hide out is. And chances are he¹s there right now, with the man who broke him out of jail. 264 0:22:51 The Leader is shown behind his The Leader: Where is the hideout? desk, as in scene 229. 265 0:22:59 Front view, close-up of Mandella Mandella Cortez: There is an Cortez only. He tells The Leader abandoned warehouse near where Carlos is. the old logging mill here in East Woodland. That¹s his hideout. Scene # Time Estimate Scene Description Dialogue 266 0:23:11 Front view of The Leader at his The Leader: Your information is desk. Part of Mandella Cortez¹s useless. Two of GLOB¹s head is on the right side of the top agents have already screen. searched the warehouse, and it is empty. Return the money to us now. 267 0:23:26 Front view, middle shot of Mandella Cortez: That¹s impossible! Mandella Cortez and Mr. Clean. I know for a fact that Mandella Cortez speaks to The Carlos is in that warehouse Leader. right now. He practically lives there. He has weapons stored there. He wouldn¹t be hiding out anywhere else. You have to sent G.L.O.B. agents back there to investigate the place again. 268 0:23:41 Front view of The Leader at his The Leader: Our agents have desk, as in scene 241. He talks to discovered absolutely no Mandella Cortez firmly. trace of anyone in that warehouse. We will search the place again, but under one condition: Your share of the bounty will be reduced. 269 0:23:54 Side view of Mandella Cortez and Mandella Cortez: Ok, ok, that¹s fine. The Leader. Cortez returns the Take back all the money entire suitcase of money to The I don¹t care. -pause- Leader. The only thing I care about is that Carlos is captured. And I know for a fact he¹s in that warehouse. 270 0:24:03 Front view of The Leader at his The Leader: Very well. I will send desk, with Part of Mandella GLOB¹s two top agents Cortez¹s head on the right side of back out to complete the screen. a more rigorous investigation of the warehouse. 271 0:24:08 Close up shot of the Leader¹s hand None pressing some buttons on a speaker phone device. Scene # Time Estimate Scene Description Dialog 272 0:24:16 Close up to middle shot of The The Leader: Send agents A-1 and Leader¹s face, which is strangely A-2 down here engulfed in darkness so that he immediately. can not be seen clearly. 273 0:24:19 Close up of The Leader¹s hand, None just like in scene 271. He presses a button and the line goes dead. 274 0:24:23 Front view, middle to long shot of The Leader: You two are wasting The Leader sitting behind his desk. my precious time. Mandella Cortez¹s head is in the foreground, on the right side of the screen. 275 0:24:26 Middle to long shot of Mandella Mandella Cortez: I know what I am Cortez and Mr. Clean. The doing! Leader¹s head is in the foreground on the left side of the screen. Mandella Cortez speaks firmly. 276 0:24:31 Front view, long shot of The Guard 1: Nobody speaks to The Leader¹s desk. Two armed Leader like that! guards emerge from the darkness behind the desk, and move in to Mandella Cortez and Mr. Clean, who are on eater side behind the camera. 277 0:24:34 Front/ right side view of Mandella Guard 2: What do you want me to do Cortez and Mr. Clean. The two with him? guards grab Mandella and Mr. Clean and point their guns at their heads. The camera slowly zooms in toward Mandella Cortez¹s head. 278 0:24:47 Close up, front view of The The Leader: Nothing. At least Leader¹s face, in darkness, as not yet. Let¹s see what usual. agents A-1 and A-2 have to say when they hear these two telling them that they didn¹t do a thorough job searching the warehouse. 279 0:24:51 Front/ right side view, middle Mr. Clean: Sorry. We will to long shot of Mandella Cortez not question your and Mr. Clean. The guards back authority. off, but they still point their guns at them. Scene # Time Estimate Scene Description Dialog 280 0:25:01 Long shot, right side view of bounty Bounty hunter 1: Two assignments hunters 1 and 2 walking toward in one day. the office of The Leader. The camera pans to the right as they Bounty hunter 2: This is getting to walk. The interior decorator is at be too much. the bottom of the screen in the foreground, scrubbing the floor. 281 0:25:08 Close up shot of bounty hunter 1¹s None hand punching in some numbers on the door to The Leader¹s office. He punches in 7-7-3-4-2-0-6 282 0:25:13 Long shot, rear view of the bounty None hunters. The door automatically swings open, and they walk in. The door closes behind them. 283 0:25:19 Long shot of both bounty hunters, Bounty hunter 1: You called us, Mr. Mandella Cortez, and Mr. Clean. Leader. The camera is positioned to the left of The Leader¹s desk. 284 0:25:34 The Leader is shown; front view The Leader: Yes. We have a task middle shot. His head is in for you to complete. darkness. Return to the warehouse. Conduct a thorough search for Carlos. I realize that it will probably be a huge waste of time, but we have been given an assignment. 285 0:25:42 Middle to long shot of both bounty Bounty hunter 2: Yes Mr. Leader. hunters; front view. They salute to the Leader (off of the screen) Bounty hunter 1: We will gather and walk back out the door. our weaponry and Mandella Cortez and Mr. Clean depart immediately, are on the right side of the screen. Mr. Leader. 286 0:25:48 Middle shot to long shot of The The Leader: Agents A-1 and A-2 Leader. Mandella Cortez¹s head will not be pleased to is on the right side of the screen find out that you have in the foreground. been wasting their time. Scene # Time Estimate Scene Description Dialogue 287 0:25:55 Middle shot to long shot of None Mandella Cortez and Mr. Clean, slowly dollying inward to a mid-to close up shot. They have worried expressions on their faces. 4 seconds before the scene ends, the song ³Heavy Fuel² by Dire Straits starts playing. 288 0:26:02 The warehouse is shown. The None camera slowly zooms inward towards the closed garage door. The silo is not shown on the screen. Music continues. 289 0:26:09 Long shot, front/ left side view None of Carlos and Juan Dolla, sitting on an old couch, with a TV in front of them. They both hold video game joysticks, and are looking at the TV. Around them, on the couch and on the floor there are some empty beer cans and scraps of food. Music continues. 290 0:26:35 The television screen is shown None with a close up of the old game ³Pong² on an Atari game system. Music continues 291 0:26:45 Long shot to middle shot, front/ None right side view of Carlos and Juan Dolla. The camera pans to show the TV screen after 6 seconds. (Carlos and Juan can be seen talking, but they can not be heard over the sound of the music.) 292 0:26:49 Close up, front view of Carlos None playing the video game. Music continues. 293 0:26:53 Close up of Carlos¹ video game None joystick. Music continues. 294 0:26:58 Middle shot to close up of Juan None Dolla playing the video game. He has a very intense look on his face. Music continues. Scene # Time Estimate Scene Description Dialogue 295 0:27:11 Close up shot of the TV screen. None The ping pong ball bounces back and forth between the flippers on the screen. Then one of the flippers misses the ball and the game ends. The screen says ³Game over² then it says ³Player 1 wins.² The music stops as this scene ends. 296 0:27:20 Middle to long shot, front view Juan: Auuuhh, Carlos, you beat me of Carlos and Juan Dolla. again. I hate this game. I wish Carlos won the game against there was something better Juan in scene 295. than this to play. 297 0:27:23 Middle shot, front/ left side view Carlos: Well there isn¹t. of Carlos. 298 0:27:27 Middle shot, front view of Juan Juan Dolla: Darn. Oh well, let¹s play Dolla. again. 299 0:27:36 Close up shot of the TV screen. None The ball bounces across the screen and the game makes ³beep² and ³blip² sounds. 300 0:27:51 The woods outside the warehouse None is shown. The camera dollies very low to the ground through thick green underbrush. The two bounty hunters pop into view. They are lying on the ground on their stomachs. The camera approaches them from the right rear side. They are lying facing the warehouse. 301 0: 28:15 Front view, middle shot to close Bounty hunter 1: Come in GLOB. Do up of both bounty hunters. you read me? Over. Bounty hunter 1 (on the left) is Ok. Over. holding a walkie talkie and a Hey A-2. Do you high-powered rifle. Bounty see anything? hunter 2 (on the right) is looking through a pair of binoculars. Bounty hunter 2: I don¹t know... Bounty hunter 1 communicates with The Leader via the walkie talkie. Bounty hunter 1: He thinks he sees something. Hold on one minute. What do you see A-2? Scene # Time Estimate Scene Description Dialogue 302 0:28:20 The view from bounty hunter 2¹s Bounty hunter 2: I can¹t see binoculars. In the foreground, the anything. But I think I thick forest underbrush is shown. hear something... In the background, the warehouse is shown. 303 0:28:25 Front view, close up of bounty Bounty hunter 2: ...It¹s that video hunter 2. The ping pong sounds game Pong! Do you hear can be heard faintly in the it? background. 304 0:28:31 Front view, close up of bounty Bounty hunter 1: O my God! That¹s hunter 1. The pong noise can my favorite game! I¹m still be heard in the background. a master at it! I can score 5,000 points! 305 0:28:53 Middle shot, front view Bounty hunter 1: Agent A-2 saw of both bounty hunters. Bounty Carlos inside with the hunter 1 speaks into his man who broke him out walkie talkie. of jail. They are both playing video games. Over. ... ...Ok. Over.... Yes, we will, Mr. Leader. We will follow your orders exactly. 306 0:28:59 The G.L.O.B. building is shown None from the outside. 307 0:29:04 The Leader¹s speaker phone None device is shown close up. The Leader¹s hand pushes one of the buttons on it, and a small LED light goes off. 308 0:29:23 Front view, middle shot of The The Leader: Agents A-1 and A-2 Leader sitting at his desk. As have arrived at the always, his face is hidden in warehouse and are shadows. He speaks to Mandella preparing to infiltrate Cortez and Mr. Clean, who are it. You will be happy not on the screen, to know that Carlos is inside, along with the man who broke him out of jail. Our bounty hunters are preparing to destroy both of them at all costs. Scene # Time Estimate Scene Description Dialogue 309 0:29:34 Long shot to middle shot of Mandella Cortez: Good. I¹m not Mandella Cortez and Mr. Clean. surprised that Carlos is in the They have satisfied expressions warehouse. Once he¹s captured on their faces. the streets of East Woodland Maine will be safe to walk once again. 308 0:29:37 Long shot, front view of The Leader The Leader: It will not be long now. sitting at his desk. Mandella Cortez¹s head is in the right corner of the screen. 309 0:29:48 The woods near the warehouse is None shown. The camera dollies through the thick jungle underbrush toward both of the bounty hunters, who are now standing up. The camera approaches them from the back. Both bounty hunters are lightly armed. 310 0:30:05 Front view, middle to long shot Bounty hunter 1: Ok, agent A-2, of both bounty hunters. They have you know the plan. I run around their guns ready. to the opposite side of the warehouse, while you distract them by entering through the main entrance. Once you¹re in, I¹ll be able to shoot them from behind. Keep contact with me. Bounty hunter 2: I¹m all set. Bounty hunter 1: Ok. Let¹s go! 311 0:30:12 Front/ left side view of the None bounty hunters. Bounty hunter 1 quickly runs around to the back side of the warehouse with his gun ready. At the same time, bounty hunter 2 runs towards the warehouse¹s garage door with his gun ready. 312 0:30:29 Front shot of the garage door. Bounty hunter 2: Uhhhh... Uhhhhh.. A small strip of grass is in the Damn door! frame under the door. The top Come in agent A-1. of the door is just below the top This garage door of the frame. Bounty hunter 2 won¹t budge! Over. runs up to it and tries to open it, but he can¹t. As he tries to open the door, the camera slowly zooms in. Scene # Time Estimate Scene Description Dialogue 313 0:30:44 Middle to long shot, right side view Bounty hunter 1: Ok, I read you, of bounty hunter 1 running to the A-2. Mission abort. right. Behind him is the warehouse. Repeat- Mission abort. The camera pans to the right as he Return to cover runs. He suddenly stops, and grabs immediately. his walkie talkie. After speaking to agent A-2, he cautiously runs in the opposite direction. As he runs the camera pans to the left. Once the camera has reached its original position, it stops and the bounty hunter runs off of the screen. 314 0:30:51 Same camera angle as in scene None 311. Both bounty hunters run back to their hiding place in the woods. The camera pans to follow them towards the woods. 315 0:31:17 Same camera angle as in scene Bounty hunter 1: Come in Leader. 310. The bounty hunters run Agent A-2 was not able to into the woods from either side infiltrate the warehouse, of the camera. After they are because the main door is back to their hiding place they locked. Over. ... Ok. ... I think turn around and duck down low we¹ll be able to do that. Over where no one can see them. and out. Bounty hunter 1 takes out his walkie talkie and speaks to The Leader. 316 0:31:30 Front/ right side view of bounty Bounty hunter 1: The Leader wants us hunter 1. He speaks to bounty to attack the warehouse from hunter 2. (It is a close up shot.) the roof. Once we are on the roof we have to break a hole in it large enough for us to climb down and take Carlos by surprise. He will never suspect an attack from above. Let¹s get prepared. Scene # Time Estimate Scene Description Dialogue 317 0:31:47 Carlos and Juan Dolla are Juan Dolla: I¹m getting sick of this. shown inside the warehouse, playing the Pong video game. Carlos: Same here. Let¹s get rid of It is a front/ left side view, this stupid game. middle to long shot. Juan Dolla is getting sick of the game. He Juan Dolla: I¹ll trash it. walks over and rips the game cartridge out of the game deck. When he walks over, the camera pans to the left. After taking the cartridge out of the deck, he walks forward, to the left of the camera, and off screen. 318 0:32:04 Long shot, rear view of Juan Juan Dolla: Geez, Carlos! You should of Dolla. He walks forward, locked this door! Anyone who towards the garage door. isn¹t a complete wuss would be He reaches over for the lock able to open this door and get in on the inside of the door, and here! sees that the door is not locked. Carlos: Yeah, Sorry. 319 0:32:15 The outside of the warehouse Bounty hunter 1: Keep it steady, agent is shown, Long shot, facing A-2. the garage door. The bounty hunters have put a ladder up Bounty hunter 2: I¹m doing my best. against the warehouse wall. Bounty hunter 1 is halfway up the ladder, and bounty hunter 2 is at the bottom, holding it steady for him. Suddenly the garage door begins to open. 320 0:32:35 Front/ right angle view of Juan Dolla: Stupid game! the garage door. It opens up, and Juan Dolla comes out. Bounty hunter 1 (On the ladder) quickly climbs to the top where he can not be seen, as bounty hunter 2 darts to the left side of the ladder to take cover. Juan Dolla comes out and throws the game cartridge as hard as he can somewhere to the left of the camera. After that, he returns to the warehouse, and the garage door slowly closes shut behind him. Scene # Time Estimate Scene Description Dialogue 321 0:32:39 Middle shot, back view of Bounty Bounty hunter 1: Quick, A-2! Grab hunter 1 up on the ladder. He the door before it tells bounty hunter 2 to grab the shuts and locks again! door before it is closed all the way. 322 0:32:45 Middle to long shot of bounty None hunter 2 catching the garage door before it slides shut. The camera is basically in the same position as in scene 320. 323 0:32:52 Same camera angle as in scene Bounty hunter 1: Good work A-2. 321. Bounty hunter 1 is shown I¹m coming down. We¹ll speaking. both go in through that door. 324 0:33:09 Same camera angle as in scene Bounty hunter 1: Uhhhh... Uhh... 320 and 322. Bounty hunter 1 Could you give me a climbs down the ladder and walks hand with this door to the garage door. He bends A-2? down to open the door the rest of the way, but he has some difficulty. 325 0:33:18 Right side view of both bounty Bounty hunter 2: Yeah. Uhhh... This hunters trying to open the is heavy. garage door. Together they manage to slowly pull the door up. 326 0:33:25 The setting switches to the Carlos: Who the hell... inside of the warehouse. The garage door is shown. Carlos Juan Dolla: Let¹s get our guns! and Juan Dolla are on the right side of the screen. Carlos and Juan Dolla run to the right. They duck down behind the TV that they had been playing the video game on. 327 0:33:36 Middle to long shot, right side Bounty hunter 1: Come on out Carlos! view of Carlos and Juan Dolla behind the TV set. They each Carlos: I have to get closer to them grab a handgun from the shelf to get a good shot. Cover me that the TV is on top of. They while I run over to that barrel. stay down low. The two G.L.O.B. agents are in the Juan Dolla: Ok. background. Scene # Time Estimate Scene Description Dialogue 328 0:33:39 The camera is located near the None garage door. It faces in the opposite direction. On the right side of the screen in the background is the TV set, where Juan Dolla is covering Carlos from. On the left side of the screen in the middle ground is a big metal barrel. Carlos bolts out from behind the TV towards the barrel. When he is about halfway there the scene ends. 329 0:33:42 Front view, middle to long shot Bounty hunter 1: Get him! of both bounty hunters. They see Carlos (who is not on the screen) and aim their guns at him. The scene ends before the guns are actually fired. After Bounty hunter 1 says his lines music starts playing. It is the refrain part of the Butthole Surfers song What Were You Doing In My Room Last Night? 330 0:33:45 Carlos is shown. He runs the None rest of the way to the barrel and ducks behind it. As he runs and ducks, five gunshots hit the metal barrel. Squibs located on the surface of the barrel explode in rapid succession, releasing sparks and smoke. Carlos is not hit. Music continues. 331 0:33:47 Juan Dolla is shown. It is a None front view, middle to long shot of him. He kneels up so that he is no longer behind the cover of the television set. He aims his handgun at the camera (Really he is aiming at one of the bounty hunters. The scene ends before he shoots his gun. Music continues. Scene # Time Estimate Scene Description Dialogue 332 0:33:50 The bounty hunters are shown. None It is the same camera angle as in scene 329. Bounty hunter 2 aims his handgun at Juan Dolla (who is not on the screen) but just as he is about to fire his gun three squibs go off around him. They are shots from Juan Dolla¹s gun. The bounty hunters are not hit, but the squibs are set off very close to them, on the wall behind them. Music continues. 333 0:33:54 Carlos is shown. The camera is None at an angle that shows Carlos in the foreground and the bounty hunters in the background. Carlos is on the bottom right portion of the screen and the bounty hunters are on the left portion of the screen. Carlos is shown ducking down, with his head toward the camera. He stands up for a moment and aims his gun at the bounty hunters. When he is aiming his gun at the bounty hunters he is facing to the left, and the camera shows a side view of him. Music continues. 334 0:33:58 The bounty hunters are shown None from a camera angle slightly in front of the position of Carlos¹ viewpoint. Two squibs located on the wall directly behind the bounty hunters go off, sending smoke and sparks flying. A third squib, located on bounty hunter 2¹s chest goes off. It makes a large blood pack on his chest burst open. Blood explodes from him and he drops his gun and falls down onto his knees. The music fades out very quickly as soon as bounty hunter 2 is shot. Scene # Time Estimate Scene Description Dialogue 335 0:34:01 Juan Dolla is shown. The camera Juan Dolla: Nice shot Carlos! is located at a position close to where Carlos is, behind the barrel. It is a front view, middle shot of Juan Dolla. He is looking into the camera (supposedly at Carlos.) He holds his handgun. 336 0:34:06 Close up, front view of Bounty Bounty hunter 2: Auugghhh... Damn! hunter 2, who is badly injured. He holds his hand on his chest and he gasps for breath. Huge amounts of blood drips down his shirt. He also has some blood splattered on his face. He is shown on his knees at first, but he slowly sinks down onto his stomach. 337 0:34:10 Bounty hunter 2 is shown. It is Bounty hunter 1: You¹re gonna pay! a front view, middle to long shot. He aims his gun at Carlos who is not on the screen. 338 0:34:16 Carlos is shown. The camera is Carlos: Auugghh. located just behind the viewpoint Die! of bounty hunter 1. The bounty hunter is on the left side of the screen, facing away from the camera. Carlos is in the middle ground behind the barrel. It is impossible to see the bounty hunter¹s gun go off because his back is to the camera. Squibs attached to the barrel that Carlos is behind go off. As soon as the squibs go off Carlos runs out from behind the barrel and charges at the bounty hunter, who has not yet had a chance to reload his handgun. The scene ends when Carlos is about one foot away from the bounty hunter. Scene # Time Estimate Scene Description Dialogue 339 0:34:23 Front view, middle to long shot of Bounty hunter 1: Aughh... bounty hunter 1. Carlos charges at him from the front. The scene starts with Carlos¹ back filling the entire screen. As he gets closer to the bounty hunter more can be seen. Carlos punches the bounty hunter a few times with huge body blows. The bounty hunter¹s gun falls to the floor. The bounty hunter falls down near his partner, already on the floor. 340 0:34:26 The camera is positioned at ground Bounty hunter 1: Uggghhh.... level, pointed up at Carlos. The camera is showing the viewpoint of the bounty hunter. Carlos kicks the bounty hunter in the face. 341 0:34:43 Camera is just above knee level. None Bounty hunter 2 is in the foreground. He is trying to reach his gun, at the bottom of the screen in front of him. Both of the bounty hunters are down on the floor. Carlos is shown, repeatedly kicking and punching bounty hunter 1. There is blood all over the place. Slowly, bounty hunter 2 gets up, and without Carlos seeing him, he picks up his handgun and aims it at Carlos, who is behind him, in the middle ground. 342 0:34:47 Front view, middle shot to close Bounty hunter 2: Die now. up of bounty hunter 2, aiming his gun at Carlos (who is not on the screen.) The bounty hunter has blood all over his face. 343 0:34:56 Middle shot of Carlos. The camera None shows the viewpoint of bounty hunter 2. Carlos kicks bounty hunter 1 a few times, then sees bounty hunter 2 and quickly dodges away to the left of the screen. This scene is done in slow motion. Scene # Time Estimate Scene Description Dialogue 344 0:34:57 Close up shot of a squib going off. None It is impossible to tell where it is, since the scene is so fast and it is a close up. 345 0:34:59 Front view, close up of Carlos, None who is sort of falling backward as he dodges away from the bullet. His mouth is open. The scene goes by very fast. 346 0:35:02 The camera shows a close up to None middle shot of bounty hunter 2, who is on the floor. He has his gun in his hand but he is not aiming it. This scene goes by extremely fast. The camera quickly pans over to show bounty hunter 1, who is standing up. His knees are bent, as if he just got up off the floor. He throws a punch at the camera. On the last few frames of this scene his fist takes up the entire screen. This scene is meant to be from the viewpoint of Carlos. 347 0:35:04 Carlos is shown. At first his None face takes up the entire screen, but he quickly falls backward because he was punched in the face. There is a small amount of blood on his face. He falls backward until his head is no longer on the screen. 348 0:35:06 Long shot, left side view of Carlos: Auuuggghh... Carlos. The TV is on the right side of the screen, and bounty hunter 1 is on the left of the screen. His fist is still following through from when he punched Carlos. Bounty hunter 2 is doubled over in pain on the floor in front of bounty hunter 1. Juan Dolla is on the right of the screen, ducking away from Carlos, who is falling backward into the TV set. He crashes against the TV just as the scene ends. Scene # Time Estimate Scene Description Dialogue 349 0:35:09 Back view of Carlos. As Carlos None falls into the TV it crashes toward the camera. Some sparks fly up from the TV as it hits the floor. Juan Dolla is on the right side of the screen. The bounty hunters are in the background. 350 0:35:13 Front view, middle shot of bounty Bounty hunter 2: Ha ha ha ha... hunter 1. He smiles at the camera. He has blood on his face. 351 0:35:22 Camera is located close to where Carlos. Ugghh... Auughh... bounty hunter 1 is standing. It is pointed at Carlos. He slowly gets up. It looks like he is in a lot of pain. He grabs the broken TV by the cord and drags it forward a little, then picks it up. 352 0:35:32 Mid to long shot, back, right view Carlos: Huugggh! of bounty hunter 1. On the right side of the screen, a little bit Bounty hunter 1: Uggghhh... ... ... further into the background, is Carlos. He holds the TV by the cord. Then he starts swinging it. He charges at bounty hunter 1 and hits him with the broken TV set. The bounty hunter is starting to fall backward as the scene ends. 353 0:35:43 Back view, middle to long shot of Bounty hunter 2: No! Auuggghh... ... Carlos. He swings the TV into the bounty hunter in front of him. The bounty hunter falls over. Then Carlos swings the TV at bounty hunter 2, who had just started to get up. He falls down also. As Carlos is turning toward bounty hunter 2, the camera pans to the left. There is lots of blood in the scene. 354 0:35:55 The camera shows the Carlos: This was a great TV set! perspective of bounty hunter 2. The bounty hunter is lying on his Bounty hunter 2: Aughh... Stop... ugh.. back, half unconscious. Carlos is above him. He repeatedly swings the TV down onto the bounty hunter¹s chest, which is just off to the bottom of the frame. Scene # Time Estimate Scene Description Dialogue 355 0:36:03 Juan Dolla is shown, standing near Juan Dolla: Hey Carlos! We have to the stand that the TV used to be get outta here! There on. He is holding his gun, but he might be more bounty does not have it aimed at anyone. hunters coming! He yells to Carlos. In the there is the sound of the TV set being smashed into the bounty hunter. 356 0:36:19 Back view, mid to long shot of Carlos: Ok, just let me take this guy Carlos. He turns around to face out first! the camera and speaks to Juan Dolla. After speaking to Juan All right, good enough. he resumes beating the bounty Let¹s go! hunter to a bloody pulp. After taking a few more swings at the bounty hunter he turns around again. The bounty hunter¹s limp body drops to the floor. Carlos speaks to Juan Dolla again, then runs toward Juan, who is supposedly behind the camera and to the right of it. As he heads over towards Juan, the camera zooms back. 357 0:36:24 Front, left view, middle shot Juan Dolla: Come on, this way! of Juan, He signals to Carlos where the exit is, and they both run for it. Carlos appears on the left side of the screen shortly after Juan starts running. They both run off into the distance. 358 0:36:28 Front view, long shot of Carlos None and Juan Dolla running toward the camera and a little bit to the left. Juan is slightly ahead of Carlos. Carlos is on the right side of the screen. As they run by the camera, it pans to the left to follow their movements. When the camera has panned 90 degrees to the left the scene ends. Scene # Time Estimate Scene Description Dialogue 359 0:36:35 Bounty hunter 2 is on the bottom of Bounty hunter 1: Come on, get up! the screen in the foreground. He is We have to catch them! a real bloody mess. Bounty hunter 1 is standing directly behind him. He is facing the opposite direction, looking at Carlos and Juan Dolla escaping. Carlos and Juan are in the background, heading for a flight of stairs leading out of the warehouse. Bounty hunter 1 turns around and looks at bounty hunter 2. He speaks to him. 360 0:36:46 The camera is positioned 4 feet Bounty hunter 1: Come on! Wake up! off the floor. Bounty hunter 1 You¹re sleeping on is standing over bounty hunter the job! 2. He bends down and tells him Wake up! to get up again. Then he starts to shake him, trying to get him to wake up. Bounty hunter 1 is on the right side of the screen, and bounty hunter 2 is lying down on the left side of the screen. In this scene, bounty hunter 2 has even more blood on him than before. As bounty hunter 1 bends down to shake bounty hunter 2, the camera pans to the left and tilts downward. 361 0:36:55 The camera shows the viewpoint Bounty hunter 1: Come on! We have to of bounty hunter 2. Bounty hunter catch them! 1 is bent down over him, shaking him. The screen goes in and out of focus. 362 0:36:58 Back view of Carlos and Juan. Bounty hunter 1: They¹re getting They run away from the camera, away! toward a staircase to the right several yards ahead of them. Bounty hunter 1 can be heard yelling at bounty hunter 2, even though neither of them is on the screen. Scene # Time Estimate Scene Description Dialogue 363 0:37:07 Front view, long shot of Carlos None and Juan. The camera is set up only a fey inches from the floor. In the foreground there is a grenade on the floor. The pin is still in it. Juan Dolla runs past the grenade and up the stairs to the left. The camera pans to show him running up the stairs. Then it turns back to show the grenade. Carlos runs up to it and grabs it on his way to the stairs. The camera pans to show him heading toward the staircase. 364 0:37:37 Back / left side view of bounty Bounty hunter 1: What¹s wrong with hunter 1. The camera shows a you? Can¹t ya take a middle to long shot. He picks little pain? There¹s bounty hunter 2 up by the work to get done! I¹ll collar and shakes him. Then give you pain! What do he starts to punch him in the you think of this? ... face to wake him up. There ...And this? are gallons of blood all over Now wake up! the place. Bounty hunter 2 is almost completely red. Finally Bounty hunter 2: Ugghhhh.... .... .... bounty hunter 1 manages to Ok, ...ok, .. I¹m awake... wake up his partner. Bounty Ugghh... hunter 2 spins his head in circles. He is only half conscious. 365 0:37:44 Carlos and Juan are shown running up the staircase. Juan comes up first. Carlos comes up holding the grenade in his hand. The camera is positioned at the top of the staircase, pointing down at them. After they reach the top they take a left hand turn and run out the door. The camera pans to the left to follow their movement. They turn to the left as soon as they leave the warehouse. Scene # Time Estimate Scene Description Dialogue 366 0:37:50 Front view, Middle to long shot of Bounty hunter 1: Come on, let¹s get the bounty hunters. They run them! forward and to the right side of the screen. Bounty hunter 1 is Bounty hunter 2: Ugghh... first, and bounty hunter 2 follows him. He is in a great deal of pain, and leaves a trail of blood behind him. They run toward the stairs. From their prospective, they run to the left side of the camera. 367 0:38:04 The outside of the warehouse is Carlos: I picked up this grenade on shown. Carlos and Juan have my way out. Before we just come out of the doorway, and leave for good, I want to are standing against the wall. It is give them this surprise. a long shot, front view. The camera zooms in on them slightly. After Juan Dolla: Ok, I¹ll be waiting for Carlos speaks to Juan Dolla, he goes you. back into the warehouse. 368 0:38:12 Front view, long shot of the bounty Bounty hunter 1: Let¹s get Œem! hunters. The camera is in the same position as in scene 358. The camera pans to follow their movement. The scene ends when they are 15 feet from bottom of the stairs. The bounty hunters do not run as fast as Carlos and Juan, because they are injured. 369 0:38:15 Front view, middle shot of Carlos. None He is at the top of the stairs in the warehouse. He bends down at the top of the staircase. As he walks to the stairs the camera pans to the right. 370 0:38:19 Front view, close up of Carlos. He None pulls the pin of the grenade and drops it down the stairs. 371 0:38:23 The camera is at the bottom of the None staircase. The grenade bounces it. 372 0:38:26 Front view, middle to long shot of None Carlos. The camera is positioned in the doorway of the warehouse. Carlos runs toward the camera. Scene # Time Estimate Scene Description Dialogue 373 0:38:31 Front view, long shot of the bounty None hunters. The camera is positioned on one of the steps, about four feet off the floor. The grenade can be seen on the floor at the bottom of the steps. The bounty hunters run toward the steps. Bounty hunter 1 runs up the steps first, and goes to the right side of the camera. The scene ends when bounty hunter 2 is about to start running up the stairs. 374 0:38:35 Close up of the grenade. Bounty Bounty hunter 2: Auugh! hunter 2¹s foot is shown tripping over it, in slow motion. He lands on his back. 375 0:38:39 Camera is positioned over bounty Bounty hunter 2: Hey, wait up! hunter 2. He is in more pain than ever. He speaks to bounty hunter 1. 376 0:38:43 Camera is at the bottom of the Bounty hunter 1: What? stairs. Bounty hunter 1 is shown, turning around to see what¹s wrong with bounty hunter 2. 377 0:38:46 Close up of bounty hunter 2. He Bounty hunter 2: I tripped over has his head turned toward the something. camera, because he is speaking to bounty hunter 1. 378 0:38:49 Middle to long shot of bounty Bounty hunter 1: What¹d you trip hunter 1. It is a front view. He over this time? walks up to bounty hunter 2, who is laying horizontally across the bottom of the screen. 379 0:38:56 Same camera angle as in scene Bounty hunter 2: I don¹t know. I think 377. a grenade or something. It probably rolled out of one of those crates full of machine guns and stuff. 380 0:38:59 Bounty hunter 1 is shown. It is the Bounty hunter 1: Are you sure it¹s same camera angle as in scene not a live grenade? 378. He looks worried and backs off as he speaks. He clutches the wall near the stairs. Scene # Time Estimate Scene Description Dialogue 381 0:39:13 Same camera angle as in scene Bounty hunter 2: I don't know, I 377. can¹t see it from here. Could you check? ... Bounty hunter 1: Yeah... Umm, I don¹t see a pin in it... 382 0:39:18 Carlos and Juan are shown None standing against the wall of the warehouse. The camera is positioned so that the side of the warehouse is shown at a 45 degree angle. Carlos is on the right, and Juan is on the left. They are both on the right side of the doorway that goes into the warehouse. Carlos and Juan are smiling. A huge fiery explosion blasts out of the doorway. 383 0:39:20 Close up of the smoke and fire None from the explosion inside the warehouse. 384 0:39:23 Middle shot, front view of Carlos: I think that took care of Carlos, speaking to Juan Dolla. them! Juan is not on the screen. 385 0:39:29 The camera is at the top of the None staircase, facing away from the doorway of the warehouse. Lots of smoke is shown pouring up from the room below. 386 0:39:37 The bounty hunters are shown. None They are both at the bottom of the stairs. The camera shows the stairs directly behind them. It is a middle shot. The bounty hunters are on the floor. They are injured very badly. There is blood all over them, and also lots of black acrylic paint to make them look burned. They appear to be dead. At first the camera shows the stairs. Then it tilts downward to show the bounty hunters. Scene # Time Estimate Scene Description Dialogue 387 0:39:40 Close up of bounty hunter 1. He Bounty hunter 1: I guess that was a speaks to bounty hunter 2. live grenade. 388 0:39:43 Close up of bounty hunter 2. He Bounty hunter 2: Yeah. That kind of speaks to bounty hunter 1. sucked. 389 0:39:46 Close up of bounty hunter 1, as in Bounty hunter 1: Come on, let¹s go scene 387. after Carlos. 390 0:39:49 Close up of bounty hunter 2, as in Bounty hunter 2: Auughh... ok. scene 388. 391 0:39:59 Same camera angle as in scene 386. Bounty hunter 1 and 2: Auggghh... The bounty hunters start to crawl up the staircase. They leave a trail of blood behind them. 392 0:40:12 Carlos and Juan are shown. They Juan Dolla: I don¹t see any more are still standing outside the bounty hunters coming. warehouse. It is a middle to long I thought there¹d be shot, front / left side view of more along with those them. two. Carlos: Yeah. Come on, let¹s go back inside and clean this place up. 393 0:40:18 Front view, long shot of Carlos None and Juan. The camera is positioned one foot above the floor inside the warehouse. Carlos and Juan see bounty hunters (who are not on the screen) and look at them. 394 0:40:24 The bounty hunters are shown. The Bounty hunter 1: Hey! Freeze! camera is located where Carlos and Juan are standing. The bounty Bounty hunter 2: Or we¹ll kill you! hunters are at the top of the steps on their hands and knees. They aren¹t looking much better than they looked the last time they were shown. 395 0:40:27 Close up. front view of Carlos, Carlos: How are you gonna do that? a confused look on his face. 396 0:40:33 Same camera angle as in scene Bounty hunter 2: Uhhh, I don¹t know. 394. Do you know, A-1? Bounty hunter 1: We¹ll think of something. Scene # Time Estimate Scene Description Dialogue 397 0:40:36 Same camera angle as in scene 395. Juan Dolla: Better think fast! After Juan speaks he and Carlos run out the door. 398 0:40:48 Same camera angle as in scene 394 Bounty hunter 1: We can¹t let them and 396. The bounty hunters get up get away! and go after Carlos and Juan once more. Although he is in a lot of pain Bounty hunter 2: Personally. I think bounty hunter 1 gets up and starts at this point I¹d be running after Carlos. Bounty hunter willing to let them get reluctantly follows him. The screen away. quickly fades out. 399 0:41:08 The setting changes to a house. None (Peter Kleeman¹s house.) The camera shows the porch near the kitchen at the left side of the screen, and the end of the driveway at the right side of the screen. The camera is positioned at a 45 degree angle to the side of the house. A small car pulls up the driveway, and a man comes out, carrying a briefcase and a vacuum.He a a sales man. He walks toward the front door. 400 0:41:12 The front doorway is shown. None The salesman walks through the initial doorway before reaching the front door. The scene ends as he is about to knock on the front door. He approaches the door from behind the right side of the camera. 401 0:41:18 The salesman steps up to the None front door. It is a left side view, middle to long shot. The salesman knocks on the door several times. 402 0:41:27 A man is shown in a bath tub. Customer: Ahhhh.... Shit! I can¹t get He hears the door knocking, any peace and quiet. which continues in the background. He starts to get out of the tub as the scene ends. 403 0:41:33 Left side view, middle shot of the None salesman, who continues to knock on the door. Scene # Time Estimate Scene Description Dialogue 404 0:41:41 The camera is located at the top Customer: Ok, I¹m coming. You can of the stairs in the house. The stop knocking! camera faces away from the stairs. The hallway is shown. The customer comes out of the bathroom (at the end of the hall, on the right) and walks toward the camera. He walks to the left side of the camera. The camera does not pan. The knocking continues in the background. The customer is very grumpy. 405 0:41:48 The camera is at the bottom of the Customer: All right already, God! stairs. It is not tilted upward. It is positioned about 8 feet out from the stairs. It is about 4 feet off the floor. The customer comes down the stairs. The knocking continues. He walks toward the camera and slightly to the right of it. 406 0:41:58 Rear view, middle to long shot of Customer: Yeah, what do you want? the customer. He opens the door for the salesman. After they Salesman: Hello, I¹m here to tell you speak the customer slams the all about the revolutionary door in his face. new... Customer: I¹m not interested. 407 0:42:03 Left side view of the salesman, None as in scene 403. The door is shutting on the salesman just as the scene begins. The salesman pauses, then knocks on the door several more times. 408 0:42:13 Same camera angle as in scene Customer: What the hell do you want? 406. The grumpy customer opens the door for the salesman again. Salesman: As I was saying, I¹m here After the sales man speaks, he to introduce to you the walks into the room. revolutionary new Attack Vac. 409 0:42:23 Front/right side view of the Salesman: This extraordinary vacuum salesman. He walks forward can suck up anything from and the camera pans to the a hairball to a marble. I¹ll right. The customer is on the demonstrate it to you, our left side of the screen, near the valued customer. door. He disappears from the screen as the camera pans to the right. Scene # Time Estimate Scene Description Dialogue 410 0:42:35 Front view, middle to long shot of Salesman: First, I¹ll show you this the salesman. His back is to the convenient little storage kitchen table. He speaks to the compartment. It can hold customer, who is not on the screen. all of those handy little attachments that make vacuuming fun and easy. 411 0:42:39 Front view, close up to middle shot None of the customer, rolling his eyes. 412 0:42:59 Same camera angle as in scene 410. Salesman: Now I¹ll show you this The annoying salesman explains excellent power cord. It more about the vacuum. is twenty feet long, so you¹ll never have any problem finding an electrical outlet. Plus, when you¹re done using your Attack Vac, you can take care of the cord by pressing this foot button. 413 0:43:03 The customer is shown. It is a front None view, as in scene 411. The customer looks very annoyed. 414 0:43:20 The salesman is shown again, as in Salesman: Next I¹ll show you the scene 410 and 412. He demonstrates raw power of the Attack the vacuum. Vac. I¹ll demonstrate it with these heavy marbles. Just press this button to turn on the Attack Vac... And watch it suck up those marbles! 415 0:43:46 The customer is shown again, as in Customer: Very impressive. I hope scene 411 and 413. He speaks to that vacuum of yours can the salesman. Than he pulls out a suck up this ammo from rifle from below the view of the my high powered rifle! camera. He aims it at the camera. I¹m gonna give you to the count of three to get off my property! I moved to Maine to get away from people like you! One... 416 0:43:50 The salesman is shown. It is a Salesman: Yes sir! mid to long shot, front view. He grabs his vacuum and runs over to the door. The camera pans to the left as he runs. Scene # Time Estimate Scene Description Dialogue 417 0:43:54 The customer is shown. It is a Customer: Two! front view, middle shot. The camera dollies backward as the scene progresses. The customer swings his rifle to the right to keep it aimed at the camera during the entire screen. The camera is supposed to be the eyes of the salesman, looking back at the customer as he is running away. 418 0:44:04 The camera is in the same Salesman: Ok, ok, but if you change position as it was in in scene 399. your mind and decide The sales man runs out of the you want the vacuum, house and into his car very just call us at 1-800- quickly. After the salesman WE SUCK! speaks, the Red Canyon music from F- Zero starts plating. The customer speaks before he runs to his car at full speed. 419 0:44:10 Left side view, middle to long None shot of the salesman¹s car. He runs up to it and opens the door get in it. Music continues. 420 0:44:13 The customer is shown. It is a Customer: I¹m warning you! front view, middle to long shot of him. He stands facing the car in front of him, and he aims his gun at it. Music continues. 421 0:44:19 The camera is located in the None front passenger seat of the salesman¹s car. He turns the key to start up the car, but it won¹t start. Music continues. 422 0:44:24 The camera shows the front and Customer: Three! left side of the car. Some squibs on the ground go off, making a lot of smoke and dust. The sound of the car trying to start up can be heard in the background. The salesman speaks, but he is not on the screen. Music continues. Scene # Time Estimate Scene Description Dialogue 423 0:44:27 The customer is shown, laughing Customer: Ha Ha Ha! with his gun still aimed at the car. It is a front view, middle shot. Music continues. 424 0:44:35 Front view of the salesman in his Salesman: Ohhhh... Come on! Start up! car. He continues to try to start ...Ugghh... his car, but he can¹t. He finally gives up and leaves the car. The sound of gunshots can be heard, along with the sound of the car, trying to start up. Music continues. 425 0:44:39 Same camera angle as in scene None 419. The salesman opens the car door and runs toward the right of the screen. The camera pans to follow him. Music continues. 426 0:44:42 Front view, middle shot to close up Customer: Now get! the customer. He still has his rifle aimed at the salesman. Music continues. 427 0:44:49 Rear view of the salesman, None sprinting down the driveway and to the left. It is a long shot. No camera movement. Squibs go off all around him. Music continues. 428 0:44:55 The camera is next to the front None of the house. It is pointed south, so that the house is on the right side of the screen. The salesman comes tearing around the house and runs toward the camera and to the left of it. The camera pans 90 degrees to follow the salesman¹s movement before the scene ends. Music continues. Scene # Time Estimate Scene Description Dialogue 429 0:45:21 The camera is positioned so that Salesman: I have to find a decent it shows the north side of the job! ... ... ... ... ... house on the right side of the Hey! I know you! Stop! screen. The salesman runs onto You killed my son with an the screen from around the ice cream cone! house, then stops to rest. He leans against the house and breathes heavily. After a moment, Carlos and Juan Dolla run by the salesman from the right side of the screen. They are followed by the two bounty hunters. When the salesman sees Carlos, he chases after him and the bounty hunters. They all run off to the left of the screen. Music continues. 430 0:45:30 Front view of everyone running None. after each other. First comes Carlos, then Juan, then the bounty hunters, then the salesman. In the background is the front of the house. It is on the left side of the screen. As Carlos approaches the camera, he veers off to the right. Everyone else behind his does the same. The camera pans to follow Carlos until the nine seconds are up. Music continues. 431 0:45:36 Front view of Carlos, and None everyone else. The camera is set up on the other side of the dirt road that is near the house. It is pointed south. Carlos, and everyone else, run onto the road. The camera does not pan. Music continues. 432 0:45:46 Front view, long shot of None everyone running down the dirt road. They run just off to the left of the camera. The camera pans to follow them. Music continues. Scene # Time Estimate Scene Description Dialogue 433 0:45:54 The camera is in the woods near None the dirt road. Through the trees everyone can be seen chasing each other. The camera pans to the left to follow them. The bounty hunters and the salesman are pretty far behind, Music continues. 434 0:46:02 Carlos is shown. It is a front view. None The camera dollies in front of him. He runs down the dirt road at full speed. Juan Dolla, the bounty hunters, and the salesman are off in the background. Music continues. 435 0:46:12 The camera is at the side of the None road. It shows everyone approaching from the right. As they run by, the camera pans to the left. Carlos turns toward the camera and disappears off the left side of the screen. Once the camera has panned far enough so that it is adjacent to the direction of the road it stops panning. Juan follows Carlos. The scene ends before the others come to the place where Carlos and Juan disappeared. 436 0:46:19 The camera is facing away from Carlos: Hmm, back where we started the outside of the garage door from... in the warehouse. The woods is shown that the bounty hunters had been hiding in just before they infiltrated the warehouse in scene 310. Carlos bursts out of the woods, then stops, and speaks with a puzzled expression on his face. The scene shows a front view, long shot. After he comes out of the woods and speaks, it is is a middle shot. before Carlos speaks, the music quickly fades out. 437 0:46:22 The outside of the warehouse is None shown. It is a long shot, front view. Scene # Time Estimate Scene Description Dialogue 438 0:46:59 Camera is facing away from the warehouse, as in scene 436. Carlos: Did we lose them? It is a front view, middle to long shot of Carlos. He continues to Juan Dolla: Yeah, I think so... ... look up at the warehouse. Juan Who was that guy who Dolla comes out from the woods started chasing us? behind him, and he walks up Something about an ice next to Carlos. Carlos speaks cream cone? with him. Meanwhile, the two bounty hunters silently come out Carlos: Yeah, when you were of the woods and approach Carlos breaking me out of jail that from both sides. Just as they are guy¹s son got in my way, about to punch his lights out, the so I stuffed his ice cream scene ends. cone down his fat throat. It must have killed him. Juan Dolla: That sounds pretty brutal. Carlos: He deserved it. Juan Dolla: Your shoe¹s untied. Carlos: Thanks. 439 0:47:01 The camera shows a middle shot None to close up of Carlos¹ leg and untied shoe. He reaches down to tie it. The scene lasts only a second or two. 440 0:47:03 front view, close up of bounty None hunter 1. He swings at the camera. The scene ends just as the fist fills up the entire screen. 441 0:47:06 Front view, close up of bounty Bounty hunter 2: Uggghhh! hunter 2. He flies backward from the camera, because he was just punched by bounty hunter 1. 442 0:47:15 Front view, long shot of Carlos Carlos: Whhooough! tying his shoe. The two bounty hunters fall down to the ground on either side of him. Carlos stands up after he is done tying his shoe, and takes a couple steps backward. He purposely trips over bounty hunter 2¹s body and falls over backward. Scene # Time Estimate Scene Description Dialogue 443 0:47:21 Middle shot to close up of Juan Juan Dolla: What happened? Dolla. It is a side view. He turns around to face the camera and Carlos: I tripped over speaks to Carlos with a smirk on something! his face. Juan Dolla: What did you trip over? 444 0:47:25 Carlos is shown, lying on the Carlos: I don¹t know, I think a ground on top of bounty hunter 2. body or something. bounty hunter 1 is on the ground next to him. It is a long shot. The camera is angled down at Carlos. He speaks to Juan Dolla sarcastically. 445 0:47:29 Same camera angle as in scene 443. Juan Dolla: What do you suppose a Juan speaks to Carlos sarcastically. body would be doing in a place like this? 446 0:47:38 Carlos is shown again, as in scene Carlos: I don¹t know, let¹s dispose 444. He speaks sarcastically to of it. Juan. Then he gets up and drags the bounty hunter towards the left side of the screen by his arms. 447 0:47:44 Juan is shown. The same camera Juan Dolla: Ha Ha Ha! Yeah we have angle is used as in scene 443 and to get rid of the clutter 445. He laughs and speaks to around here. Carlos. 448 0:47:50 Bounty hunter 1 is shown. It is a Bounty hunter 1: I¹m gonna get front / left side view, middle to you! long shot. Carlos is on the left side of the screen, dragging bounty hunter 2 away from bounty hunter 1. Bounty hunter 1 is in pain, but he stands up and lunges at Carlos. 449 0:47:55 Back view, middle to long shot of None Carlos. He turns around and drops bounty hunter 2 and runs away from the camera. Bounty hunter 1 appears on the left side of the screen and runs after Carlos. They run in the direction of the barbed wire fence that is near the warehouse. Scene # Time Estimate Scene Description Dialogue 450 0:48:28 Front view, long shot of Carlos, Bounty hunter 2: Owww! Juan, and the bounty hunters. Far off in the background the salesman can be seen, running also. The camera is located behind the barbed wire fence. It points in the general direction of the corner of Beach street and the dirt road. The silo on the barn can not be seen on the screen. Carlos runs and jumps over the fence. Juan is behind him. The two bounty hunters also climb the fence, but they are much slower than Carlos and Juan. Far behind them, the salesman also climbs over the fence. After he goes over the fence, the camera pans to show the direction he is going. the camera shows that angle for 5 or 6 seconds. 451 0:48:46 Front / right side view of Carlos None running. The camera dollies to keep up with him. After a while the camera stops moving and it shows everyone else run by. After this scene, the screen is black for about ten frames. 452 0:58:54 The woods is shown. Carlos and None Juan run through the woods, followed by the bounty hunters and the salesman. They run from the background of the right side of the screen to the foreground of the left side of the screen. Far off in the background the huge field can be seen that everyone just ran through. Scene # Time Estimate Scene Description Dialogue 453 0:49:40 Another barbed wire fence is Bounty hunter 2: Oh, man! They shown. The camera shows it got away! in the foreground on the left side of the screen, and in the Bounty hunter 1: Damnit... Sorry I middle ground on the right side of punched you back the screen. Carlos and Juan run there. Carlos up to the fence and jump over it. ducked below my An unseen trampoline may be fist just in time. required to assist them. After they go over the fence, the Bounty hunter 2: Try not to let it bounty hunters run up to the happen again. fence. They stop because it is too high for them to be able to Salesman: Don¹t let them get away jump over. After a short time the salesman comes up to the Bounty hunter 1: Who are you? fence. The three of them speak to each other. Salesman: Oh, I¹m John Muller. I¹m after that Carlos guy. 454 0:49:46 Middle shot, front view of bounty Bounty hunter 1: We overheard hunter 1. He speaks to the Carlos telling his buddy salesman, whose head is shown on how he killed your son the right side of the screen. with his ice cream cone 455 0:49:52. A flashback is shown. Front view, Salesman: Yeah. It was so horrible. middle shot of a boy licking his ice cream cone. After the salesman speaks, music starts playing in the background. It is the intro to ³Betterman² 456 0:49:56 Rear view, close up of the boy. The None boy turns around to face the camera, which zooms in on him. The camera is about 6 feet off the ground. The boy has a look of horror in his eyes. He moves the ice cream cone away from his mouth. 457 0:49:59 The camera shows a left side view, None middle to long shot of the boy. He starts to fall down in fright. Just as he is falling, Carlos charges into the boy from the right side of the screen. He grabs his ice cream cone just as the scene is ending. Scene # Time Estimate Scene Description Dialogue 458 0:50:02 Camera shows the view from the None boy¹s eyes. Carlos stabs the screen with the ice cream cone and the camera shows the sky, as the boy falls backward. 459 0:50:05 Front / right side view of the boy. the ice cream cone is stuck into his throat. There is blood everywhere. The boy falls backward. 460 0:50:09 Back view, close up of the boy. The boy falls backward, towards the camera. As the boy gets closer to the camera, you can see that the pointed ens of the cone is sticking out the other end of the boy¹s throat. There is not very much blood. 461 0:50:14 Back view, rear shot of Carlos. None He runs off. The camera is positioned at ground level, where the boy¹s eyes are. 462 0:50:21 Top view of the boy. The camera None is lowered downward toward the boy, who is lying on his back. The ice cream cone is sticking out of his mouth. Blood is everywhere. As the camera gets closer to the boy, it turns around. At the end of the scene, the only thing left on the screen is the ice cream cone. The inside of it is shown. It is filled with a mixture of ice cream and blood. 463 0:50:29 The salesman is shown. It is a front Salesman: It was a terrible sight. I view, close up to middle shot of him. must avenge my son¹s Bounty hunter 1¹s back is shown on son¹s death by left side of the screen. destroying Carlos. 464 0:50:35 Front view, middle to close up of Bounty hunter 1: Perhaps we can bounty hunter 1. He speaks to the help you get your salesman, whose head is on the revenge. We¹re from right side of the screen. the Global Legion of Bounty Hunters. Scene # Time Estimate Scene Description Dialogue 465 0:50:41 Front view, middle shot to close up Salesman: I¹ve heard about you of the salesman. Bounty hunter 1¹s guys. Is there a large head is on the right side of the screen, bounty for bringing in facing away from the camera. Carlos? 466 0:50:48 Same camera angle as in scene 464. Bounty hunter 1: Yes. The police Bounty hunter 1 speaks. have offered a reward of five hundred thousand dollars for the capture of Carlos, dead or alive. 467 0:50:58 Front view, middle to long shot of Bounty hunter 2: Why don¹t you bounty hunter 2. He is on the right come back to the side of the screen. Bounty hunter 1 headquarters with us. is on the left side of the screen. We¹ll see if The Leader The salesman is on the far left hand will let you become an side of the screen, facing the honorary GLOB agent bounty hunters. until Carlos is captured. 468 0:51:04 The G.L.O.B. building is shown. The None camera zooms in towards the front door. The Metroid Torian music plays briefly. 469 0:51:13 Left side view, middle shot of the The Leader: So you wish to become Leader sitting at his desk in the an honorary GLOB GLOB building. He speaks to the member until Carlos is bounty hunters and the salesman, captured? who are not on the screen. The music quickly fades out before The Leader starts speaking. 470 0:51:21 Front view, middle to close up of Salesman: Yes. I would do the salesman. He speaks to the everything within my Leader. He is standing in front power to capture of the desk. In the background is Carlos. I need my Mandella Cortez, Mr. Clean, a revenge. guard, and the two bounty hunters. 471 0:51:31 Front view, long shot of the Leader. The Leader: Then you must take the The salesman¹s head is on the oath. Repeat after me. right side of the screen in the I, John Muller, do foreground. solemnly swear. 472 0:51:35 Same camera angle as in scene 470. Salesman: I, John Muller, do solemnly swear, Scene # Time Estimate Scene Description Dialogue 473 0:51:44 Same camera angle as in scene 471. The Leader: That I will do whatever it takes to destroy anybody who is an enemy of the all mighty GLOB. 474 0:51:52 Same camera angle as in scene 470. Salesman: That I will do whatever it takes to destroy anybody who is an enemy of the all mighty GLOB. 475 0:51:55 Same camera angle as in scene 471. The Leader: Under any circumstances. 476 0:51:59 Same camera angle as in scene 470. Salesman: Under any circumstances. 477 0:52:02 Same camera angle as in scene 471. The Leader: at any time 478 0:52:04 Same camera angle as in scene 470. Salesman: at any time 479 0:52:06 Same camera angle as in scene 471. The Leader: And at any place. 480 0:52:08 Same camera angle as in scene 470. Salesman: And at any place. 481 0:52:10 Same camera angle as in scene 471. The Leader: So help me God. 482 0:52:16 Same camera angle as in scene 470. Salesman: Ummm, I don¹t believe in God. 483 0:52:22 Same camera angle as in scene 471. The Leader: Well then I¹m sorry. You can¹t become a GLOB agent. 484 0:52:28 Same camera angle as in scene 470. Salesman: Ok, fine. So help me God. 485 0:52:40 Same camera angle as in scene 471. Leader: That¹s better. Congratulations. You have joined the ranks of the honorable GLOB bounty hunters. Your starting rank is Z-99. Scene # Time Estimate Scene Description Dialogue 486 0:52:50 Bounty hunters 1 and 2 are shown. Bounty hunter 1: Ha ha ha! It is a front view, middle to long shot. They laugh when they hear Bounty hunter 2: Ha! Rank Z-99! the salesman¹s rank among the bounty hunters. They point at his Bounty hunter 1: That¹s so low! back. His head is in the center of the bottom of the screen. The Bounty hunters 1 and 2: Ha Ha Ha! salesman is facing the camera, but only the top of his head is on the screen. Behind the bounty hunters Mandella Cortez and Mr. are standing. 487 0:52:54 The outside of the Warehouse is None shown. The garage door is shown. ³I don¹t know anything² by Mad Season starts playing. 488 0:53:00 The inside of the warehouse is None shown. Camera is positioned near the garage door, facing away from it. Carlos and Juan are in the background, tying trip wire around a couple of the ceiling supports in the warehouse. Music Continues. 489 0:53:06 Middle shot, front view of None Carlos tying some trip wire to a pole. Music Continues. 490 0:53:13 Juan Dolla is shown. It is a None front / right side view, middle to long shot of him. He is standing near the pile of crates. He takes some guns out of the crates, one at a time, and places them on the floor. Music continues. 491 0:53:28 Carlos is shown crouching None on the floor, cutting a hole in a tennis balls and filling it with gunpowder. After filling it, he covers over the hole with electrical tape. He places the tennis ball somewhere off of the screen. Music continues. Scene # Time Estimate Scene Description Dialogue 492 0:53:34 Close up shot of Carlos¹ hand, None placing the tennis ball in a pile next to four others. Music continues. 493 0:53:42 Juan is shown. It is a middle to None long shot, right side view of him. He walks to the right holding a hockey stick. He drops the stick onto a pile of bats, pipes, and other bludgeon weapons. Music continues. 494 0:53:51 Carlos is shown. It is a front/ None side view, middle to long shot of him. He is holding a small crate. He walks a few steps towards the right side of the screen. He places the crate on the floor next to the set of tennis ball bombs he made. As he bends down the camera tilts down and zooms in to show that the crate is full of sticks of dynamite. Music continues. 495 0:53:58 Front view, middle shot of Juan. None The camera dollies in front of him as he walks forward. He is holding a machine gun. He stops walking and crouches down. He reaches over to his right and plucks the the trip wire that he had previously set up. As he plucks it he looks into the camera with a smirk on his face. Music continues. 496 0:54:04 Carlos is shown. It is a middle None to long shot. The camera dollies in and tilts up at the same time. Carlos rubs his hands together in anticipation for the upcoming G.L.O.B. assault. Music continues. Scene # Time Estimate Scene Description Dialogue 497 0:54:09 The outside of the G.L.O.B. building None is shown. Music continues. 498 0:54:18 Front view, middle to long shot of None agent A-1, A-2, and Z-99. They face the leader, who is not on the screen. The screen of the computer on his desk, however, is partly on the screen. Bounty hunter A-1 is in the front on the the left. A-2 is behind him and to the right. Z-99 is in the front on the right. The Leader¹s two guards hand the two bounty hunters in the front machine guns, and put the gun straps over their shoulders for them. The bounty hunters have already been equipped with knives, grenades, walkie-talkies, and other equipment. In the background are Mandella Cortez and Mr. Clean. Music continues. After equipping the bounty hunters with machine guns, the guards walk to either side of the screen. Music continues. 499 0:54:24 Left side view, middle to long shot None of the salesman (agent Z-99) Guard 1 hands him a huge rocket launcher. Music continues. 500 0:54:32 Camera is located just outside of None the doorway to The Leader¹s office. It shows the inside of the office. The three bounty hunters walk through the doorway towards the camera. A guard who is standing outside the doorway hands each bounty hunter a handgun. The bounty hunters walk to the left of the camera as the scene ends. Music continues. Scene # Time Estimate Scene Description Dialogue 501 0:54:52 Camera faces the wall to the left Bounty hunter 1: This is it. The final of the wall that the door to the battle against Carlos. Leader¹s office is. It is positioned G.L.O.B. agents, unite... so that the door is on the right ...And prepare to depart side of the screen. The three to the warehouse for bounty hunters walk a few steps the final time. to the left then turn to face the camera. The music fades out. Then they load their handguns and bounty hunter 1 speaks. The third piece of intro music for Jungle Strike starts playing immediately after bounty hunter 1 stops talking. If possible, the music should play while he speaks, then get louder after he is done speaking. 502 0:54:58 The outside of the Federal Agents¹ None building is shown. At the end of this scene the music quickly fades out. 503 0:55:08 Side view, long shot of the two Federal agent 1: We might as well federal agents. Federal agent 1 do the monthly remote (on the left) has his feet up on computer network his desk and is talking to his systems check. Make partner. They both face each sure those other other. They are eating agencies are operating eating sandwiches. There are under standard policy. some computers on the desk in front of them, and lots of papers and stuff. 504 0:55:16 Front view, middle to long shot Federal agent 2: Yup. of federal agent 2. Federal agent 1¹s head is in the foreground on the left side of the screen. He drinks a soda while federal agent 2 looks at a computer screen that is on the left side of the screen, facing him. The screen is not at an angle where the viewer can see it very easily. Federal agent 2 has one hand on a key board and with the other hand he is eating a sandwich. He looks at the screen and types for several seconds. Scene # Time Estimate Scene Description Dialogue 505 0:55:27 The federal agents¹ computer None screen is shown. The automatic sequence of computer screens from the HyperSudio stack ³Federal agent computer program² is used. The scene ends when the sequence has progressed to the ³Access Remote Computer Network² sub-menu screen appears. 506 0:55:33 Front view, close up of federal Federal agent 2: Wow look at that! agent 2. Light from the The Global Legion of computer screen is shining Bounty hunters has a on his face. new on-line computer network. 507 0:55:42 Right side view of federal Federal agent 1: Oh yeah, I just agent 1. He speaks to federal installed a link to the agent 2. Federal agent 2¹s G.L.O.B. net yesterday. head is in the foreground. He G.L.O.B.¹s becoming a is looking at the monitor, now vital crime-fighting aid on the right side of the screen. to the U.S. government. 508 0:55:45 Close up, front view of federal Federal Agent 2: Let¹s take a look at agent 2, as in scene 506. their network. 509 0:55:49 The computer sequence is Federal agent 2: Wow! The entire continued. Only the computer G.L.O.B. system is screen is shown. The sequence touch - activated! progresses to the G.L.O.B. network title screen. 510 0:55:53 Close up, front view of federal Federal agent 1: Yeah, it¹s really agent 1. incredible. 511 0:56:06 The computer screen is shown. Federal agent 2: G.L.O.B. has all kinds The sequence of the computer of information here. I program goes forward to the didn¹t know they were Top secret info screen. The given access to U.S. federal agent¹s finger is shown government info. touching the screen to make the selections. 512 0:56:06 Close up, front shot of federal Federal agent 1: How¹d they find out agent 1. about the KGB¹s plans? 513 0:56:16 Close up of the computer screen. Federal agent 2: Plutonium!? Camera shows the first menu, the plutonium inventory, and ends with Federal agent 1: Uranium 235!? the personnel reports. Federal agent 2: Assassination plans!? Scene # Time Estimate Scene Description Dialogue 514 0:56:19 Middle shot, front view of federal Federal Agent 1: Is this some kind of agent 1. joke? 515 0:56:23 The computer screen is shown. The Federal agent 2: Or is G.L.O.B. ³Top secret info² screen is really a sinister displayed. corporation? 516 0:56:28 Middle shot, front view of federal Federal agent 1: We better agent 1, as in scene 514. investigate this. Select ³Assassination plans.² 517 0:57:13 Computer screen is shown. The Federal Agent 2: Whooa! They¹re federal agent¹s finger touches the gonna kill president screen and the Assassination plans Carter! screen appears. Federal agent 2 speaks after the ³Assassination plans² screen has been up for 6 seconds. 518 0:57:15 Front view, mid to long shot of Federal agent 1: We have to stop federal agent 1. Agent 2¹s them! head is in the foreground. 519 0:57:17 Front view, mid shot of Federal agent 2: Where¹s their federal agent 2. headquarters? 520 0:57:25 Front view, mid to long shot of Federal agent 1: I don¹t know. federal agent 1. Agent 2¹s head G.L.O.B. has always is in the foreground. seemed to keep information like that under wraps. Go back to the main menu and check their current status. 521 0:57:27 Front view, middle shot of Federal agent 2: Good idea. federal agent 2. He speaks while looking into the computer screen in front of him. Scene # Time Estimate Scene Description Dialogue 522 0:57:55 The computer screen is shown. Federal agent 2: Hey look! They¹re the sequence continues as planning to go out and the federal agent¹s finger capture some guy at a touches the screen to make warehouse in East it return to the main menu, Woodland. then go to ³Current Status.² After the Current status screen has been on for 15 seconds, Federal agent 2 speaks, although only the computer monitor is on the screen. As soon as he is done speaking, the scene ends. 523 0:57:58 Close up of federal agent 1. Federal agent 1: That¹s Carlos! 524 0:58:00 Federal agent 2 is on the Federal agent 2: Who¹s he? screen. It is a middle to long shot, front/ right side view. Federal agent 1¹s head is in the foreground. 525 0:58:09 The computer screen is shown. Federal agent 1: He¹s the guy who¹s It is still showing the Current said to have shot two Status screen. police officers a few years ago, remember? He just escaped from jail early this this morning. 526 0:58:15 Same camera angle as in scene Federal agent 2: Well, if we go down 524. Camera tilts upwards as to the warehouse now Federal agent 2 stands up and we can capture Carlos talks. and take care of G.L.O.B! 527 0:58:22 Same camera angle as in scene Federal agent 1: Let¹s tell the chief 503. Since Fed. agent 2 is about this! standing, the camera is tilted Federal agent 2: We don¹t have time! upward slightly. As soon as As soon as the bounty federal agent 2 speaks, both hunters have killed agents grab their handguns, Carlos, G.L.O.B.¹s gonna which are on the desk that the send out guys to shoot computer is on. the president! Scene # Time Estimate Scene Description Dialogue 528 0:58:29 Front view, middle shot of Federal agent 1: Right. Let¹s get Federal agent 1. He loads his out there and kill two gun as he speaks. As soon birds with one stone. as federal agent 1 is done speaking, the song November Hotel, by Mad Season starts playing very loudly. 529 0:58:37 Same camera angle as in scene None 503 and 527. As agent 2 gets up, he grabs 2 S.W.A.T. vests and throws one to agent 1. Both agents walk to ether side of the camera. Music continues. 530 0:59:16 The inside of the warehouse is None shown.It is pretty dark inside. camera dollies forward across the trip wire, the pile of tennis ball bombs, the TNT crate, and the pile of weapons on the floor. Carlos and Juan are shown sitting on the floor in a corner. Carlos is holding a radio controlled car and some electrical tape. Juan Dolla hands him a grenade. He fastens it to the top of the car. While the camera is dollying, it moves very slowly and close to the floor. Music continues. 531 0:59:22 The inside of the G.L.O.B. building None is shown. The camera is positioned in the room outside of the Leader¹s office. It is near the wall opposite from the wall that the door to the office is on. The three bounty hunters walk towards the doorway that leads to the elevator. The camera pans to follow them. Agent Z-99 carries the huge rocket launcher. As they enter the doorway the scene ends. Music continues. Scene # Time Estimate Scene Description Dialogue 532 0:59:28 The camera is positioned on the None outside of the doorway that the bounty hunters just went through. The easel with the plans for the refurnished G.L.O.B. building is standing on the right side of the screen. The three bounty hunters walk through the short hallway and to the left side of the camera. Music continues. 533 0:59:36 The camera is located in the None Leader¹s office. At the bottom of the screen is the Leader¹s computer. The screen shows the G.L.O.B. network title screen. A light blinks ³call² ³call² ³call² The camera pans to the right and tilts upward slightly, showing Mandella Cortez and Mr. Clean. They have evil looks of anticipation on their faces. Music continues. 534 0:59:44 The setting changes back to the None warehouse. Juan is standing with a machine gun. He looks like he is ready for an attack. The camera pans to the right. Carlos is on the phone with his back to the camera. His voice cannot be heard. Just before the scene ends, he hangs up. Music continues. 535 0:59:50 Left side view, middle shot of None The Leader. He calmly hangs up the phone and turns his head to the right to look at Mandella Cortez and Mr. Clean, who are in the background. Music continues. 536 0:59:59 Front view, middle to long shot None of both federal agents. They put on their S.W.A.T. vests, which are equipped with walkie talkies, handcuffs, etc. They also grab machine guns. Music continues. Scene # Time Estimate Scene Description Dialogue 537 1:00:08 The camera is located inside the None warehouse. Carlos and Juan are shown standing with their weapons ready. Carlos and Juan both have machine guns. The camera is about one foot off the floor. It dollies a half circle around them. It is tilted up at a 45 degree angle. They look confident and ready to fight. Music continues. 538 1:00:15 The camera is in the Leader¹s None office. It shows a front/ left side view of the Leader. His face is still in darkness. It is a close up to middle shot. He holds a handgun and aims it at an off- screen target in front of him. Music continues. 539 1:00:20 A mug shot of Carlos is shown None taped to the wall. Suddenly the picture explodes as a gunshot hits it. A bullet hole in the picture can be seen after the smoke clears. 540 1:00:27 A close up of Carlos is shown. None He quickly blinks and and jerks his head back. The camera dollies back and he grasps his weapon and takes a couple steps back. Music continues. Scene # Time Estimate Scene Description Dialogue 541 1:00:37 The G.L.O.B. bounty hunters are None shown fully equipped with all their weapons, including the huge rocket launcher and a supply of rockets. They walk across the ground between the two barns in Peter¹s yard. The camera is at knee level in front of them, pointed upward at a 45 degree angle, so it is impossible to see anything but the sky. All three bounty hunters have intense looks on their faces as they march toward the warehouse. The camera is in front of them and slightly to their left. Music continues. 542 1:00:47 This scene is similar to scene 541, None with the two federal agents shown walking. The camera angle is the same, except it is to the federal agents¹ right. Music continues. 543 1:00:59 Camera is located near the silo, but None facing away from it. It is near the ground, pointed up at a 30 degree angle. The 3 bounty hunters walk from the right to the left, and the camera pans to follow their movement. Music continues. 544 1:01:07 The camera is located at the end None of the long wooden bridge that leads up to the warehouse. The federal agents walk across it. The camera pans to the left to follow their movement. Music continues. 545 1:01:12 Camera faces the front of the None garage door outside the warehouse. The bounty hunters walk up in front of the camera and stop. The camera is 4 feet off the ground. Music continues. 546 1:01:23 Camera is located right next to the None big airplane in the warehouse. The federal agents walk in through the open door at the end of the bridge. The camera points toward the open door. Music continues. Scene # Time Estimate Scene Description Dialogue 547 1:01:32 Camera is located at the top of the None staircase that goes down towards the warehouse. The federal agents walk from the room with the airplane towards the camera, then turn to walk down the stairs. Music continues. 548 1:01:37 Front view, middle shot of Carlos Carlos: They¹re coming! Ok, let¹s and Juan. They have their backs to hide. the stairs that the federal agents are coming down. Carlos turns to look at the stairs, then runs with Juan off the side of the screen to hide. Music continues. 549 1:01:42 Front view, long shot of Carlos and None Juan. They duck behind a car in the warehouse. Music continues. 550 1:01:47 The garage door is shown from the None outside. The three bounty hunters run up to it from behind the camera. They start to open it. Music continues. 551 1:01:52 The door is shown from the inside. None The bounty hunters open it and walk in, fully armed. The door slams shot behind them. The sound of the garage door being opened can be heard. Music continues. 552 1:02:02 Front / right side view, close up of None bounty hunter 1. He walks forward and the camera dollies near him. after a few seconds, he stops walking, but the camera continues to move in the same direction. As it moves, it pans to the right, showing the entire warehouse. There is no sign of Carlos. Music continues. 553 1:02:11 Front view, middle to long shot of Bounty hunter 1: Split up and the three bounty hunters. Bounty search the place. hunter 1 takes command of the three. After telling the team to split up, agent A-2 and Z-99 walk off the left and right sides of the screen. Music continues. Scene # Time Estimate Scene Description Dialogue 554 1:02:17 The doorway near the bottom of the Federal agent 1: Hey! Freeze! staircase is shown. Federal agent 2 peeks his head around a corner and after seeing the bounty hunters yells ³Freeze!² It is a close up shot. Music continues. 555 1:02:23 Front view, long shot of Bounty Bounty hunter 2: Wha...? Uggghh! hunter 2. The camera is near the Who the hell are floor pointed up at him. He is you? surprised and yells. He immediately falls over the trip wire that had been set up. He falls flat on his face a few feet from the camera. His gun bounces right in front of the camera. Music continues. 556 1:02:29 Front view, long shot of both federal Federal agent 2: U.S. government agents. They come out from the agents! cover near the staircase and charge towards the bounty hunters, who aren¹t on the screen. Holding their machine guns in one hand, they jump over crates and other obstacles. Federal agent 1 is ahead of federal agent 2, and he is to his left. Music continues. 557 1:02:32 Bounty hunter one is shown. He Bounty hunter 1: Not for long! pulls out his gun and aims it at the federal agents. The scene ends before he shoots. Music continues. 558 1:02:36 Front view of the federal agents. Federal agent 1: Auggh! Right as they pass one of the ceiling supports, a squib on it goes off, because of the bounty hunter¹s gunshot. The federal agents aim their guns at bounty hunter 1. Music continues. 559 1:02:41 Side view, middle to long shot of None bounty hunter 1 running to the right. Several squibs go off on the wall behind him as he runs. Music continues. Scene # Time Estimate Scene Description Dialogue 560 1:02:46 Bounty hunter 3 (The salesman) None is shown. He holds the rocket launcher on a strap over his shoulder. He holds a handgun and aims it toward the camera. It is a front view, middle shot. Music continues. 561 1:02:52 Federal agent 2 is shown. The camera None shows a side view, middle to long shot of him. He runs to the left, and the camera pans. He comes to the bounty hunter who had tripped on the trip wire and kicks him. Then he grabs his machine gun. Music continues. 562 1:02:57 Front view, long shot of Federal None agent 1. He throws the bounty hunter¹s gun to his partner. The bounty hunter is lying at the bottom of the screen in the foreground. He is badly beaten up. The federal agent¹s partner catches the gun while running up from behind him and to his right. Music continues. 563 1:03:01 Front view, middle to long shot None of bounty hunter 1, who charges toward the camera at full speed. He is running toward Federal agent 2. Music continues. 564 1:03:05 Left side view, middle shot of None Federal agent 2. He is attacked head on by the bounty hunter, and is sent flying backward. Music continues 565 1:03:12 Back view, long shot of the bounty None hunter and the federal agent. They both fly toward the camera. On the left side of the screen in the middle ground is Federal agent 1. He turns his head to see his partner being held down and punched repeatedly. Music continues. Scene # Time Estimate Scene Description Dialogue 566 1:03:14 Back/ right side view, of bounty None hunter 3 running toward the others. The camera dollies slowly in the direction he is going in. He holds the rocket launcher. Music continues. 567 1:03:25 Front view, long shot of Bounty None hunter 3. He runs up closer to the camera and grabs a rocket from a strap on his back holding several rockets. He begins to load it into the top of the launcher. Music continues. 568 1:03:28 Back view, middle shot of federal None agent. He turns around to face the camera, and charges at it. Music continues. 569 1:03:31 Front / right side view of bounty None hunter 3. He is loading the rocket into the launcher, when federal agent 1 charges and hits him. The rocket launcher falls to the floor.The federal agent draws his handgun, but the bounty hunter manages to grab his wrist and point the gun up towards the ceiling. Music continues. 570 1:03:34 Camera is pointed up towards the None ceiling. The gun is shown in the Federal agent¹s hand. His wrist is being held by the bounty hunter. Music continues. 571 1:03:41 Front / right side view of the None bounty hunter. The federal agent is also on the screen. He is to the right of the bounty hunter. The camera shows a side view of him. They are both still struggling for control of the weapon when the bounty hunter punches the federal agent in the torso with his right arm several times. The federal agent doubles back in pain. Music continues. Scene # Time Estimate Scene Description Dialogue 572 1:03:45 Front view, middle shot of federal None agent 1. He falls backward to the floor. He has some blood splattered all over him. Music continues. 573 1:03:49 Front view, middle to long shot of None bounty hunter 3. He stands with his fists ready to punch someone. The camera moves toward him and goes up at the same time to show a close up of his face. Music continues. 574 1:03:52 The federal agent is shown on the None floor. He has blood on his face. It is a close up shot of him. Music continues. 575 1:03:57 Front / right side view of the bounty None hunter. He bends down and grabs his rocket launcher. He raises it over his head. The camera is located near the floor, right where the federal agent is. Music continues. 576 1:04:00 Close up of the federal agent¹s face. None. He looks scared. He is still on the floor, and he looks up at the bounty hunter. Music continues. 577 1:04:03 Same camera angle as in scene 575. None The bounty hunter swings the rocket launcher at the federal agent and slams the barrel of it down on top of him. Music continues. 578 1:04:11 The camera is located high up, near None the ceiling. Federal agent 2 is lying on the floor in the upper right corner of the screen. Federal agent 1 is lying badly injured in the lower right corner of the screen. Bounty hunter 2 is walking from the left side of the screen to the middle. He is minorly injured. Bounty hunter 1 walks backward from the right side of the screen to the middle. So does bounty hunter 3. The three of them form a semi- circle in the middle of the screen. Music slows down at or around this point. Scene # Time Estimate Scene Description Dialogue 579 1:04:16 Front view, close up of bounty Bounty hunter 1: How the hell hunter 1. Camera dollies away did the feds know we from him slowly during the scene. would be here? Music continues in the background. 580 1:04:20 Front view, close up of bounty Bounty hunter 2: Where¹s hunter 2. The camera dollies away Carlos? from him slowly during the scene. Music continues in the background. 581 1:04:25 Front view, close up of bounty Bounty hunter 3: He¹s probably hunter 3. The camera dollies long gone by now. away from him slowly during the scene. Music continues in the background. 582 1:04:34 Same camera angle as in scene 578. Bounty hunter 1: I don¹t know. But All of the characters are in the I have a feeling he¹s same positions. Bounty hunter 1 still here. speaks. Music continues in the background. 583 1:04:41 Same camera shot as in scene 579. Bounty hunter 1: Let¹s split up and Bounty hunter 1 speaks. Music search the place again. continues in the background. 584 1:04:46 Same camera angle as in scene 578. None Bounty hunter 1 walks to the top left corner of the screen. Bounty hunter 2 walks to the left side of the screen, and bounty hunter 3 walks to the bottom right corner of the screen. Music continues in the background. 585 1:05:00 Carlos and Juan are shown. They None are hiding behind a car in the warehouse. The scene begins with the camera showing a long shot of the three bounty hunters, who are splitting up to search the ware house. The camera dollies backward and over the roof of the car. Then it reveals Carlos and Juan, on the near side of the car. Juan takes a glance up to see where the bounty hunters are. Music continues. Scene # Time Estimate Scene Description Dialogue 586 1:05:07 Bounty hunter 2 is shown. It is a None front / left side view, middle shot of him. He holds his gun, ready to shoot the instant he finds Carlos. The camera is pointed up towards him at a slight angle. It pans slowly to the left as he walks. Music continues. 587 1:05:13 Bounty hunter 3 is shown. He is in None a different part of the warehouse looking for Carlos and Juan. He walks toward the camera while it dollies backward in front of him. He walks along the side of a wall. Music continues. 587 1:05:19 Carlos and Juan are shown. Same None camera angle as in scene 585. Carlos peeks over the car, then bends down and picks up a tennis ball from the floor. Music continues. 588 1:05:25 Bounty hunter 1 is shown. He None searches for Carlos and Juan. He walks in front of the car that they are hiding behind. He walks toward the left side of the screen. Music continues. 589 1:05:34 Side view of Carlos. He craws out Carlos: Ok Juan when I throw it, from behind the car with Juan we book up the stairs. behind him. The music ends, then Carlos whispers to Juan. 590 1:05:37 Juan is shown. It¹s a front view, Juan: All right. Throw it now! close up shot. 591 1:05:41 Front view, middle to long shot of None Carlos. He stands up and fully comes out from behind the car. He throws the tennis ball hard, just over the camera. 592 1:05:42 Carlos¹ viewpoint of the ball in the None air. Scene # Time Estimate Scene Description Dialogue 593 1:05:43 Close up of a fiery explosion. The None hits a wall, and a charge on the wall goes off. Since the shot is a close up it doesn¹t have to be filmed in the barn. 594 1:05:47 Carlos and Juan are shown running None away from the car, toward the staircase that goes up to the room with the airplanes in it. Long shot. 595 1:05:51 Bounty hunters 2 and 3 are shown. Bounty hunter 2: Cough. What They are behind a thick wall of the hell? Cough... smoke. They cough. Bounty hunter 3: Where¹d that come from?! 596 1:05:55 Front view, middle to long shot of None Carlos and Juan, running up the stairs. 597 1:06:00 Front view, long shot of bounty hunter Bounty hunter 1: It¹s Carlos! 1. He runs toward the other bounty Come on! Let¹s get Œem! hunters. 598 1:06:03 Front/ left side view of the 3 bounty None hunters running toward the stairs. It¹s a long shot. 599 1:06:12 Carlos and Juan are at the top of the Juan: Wait, we forgot our stairs. It¹s a back view, middle to weapons! long shot. They turn to face the cam when they speak. Carlos: It¹s too late to go back for them now! 600 1:06:15 Camera is located on the staircase, Bounty hunter 1: Hey, what do pointed down at the bounty hunters. we have here? They stop before they go up the stairs. Carlos and Juan¹s homemade weapons are on the floor. 601 1:06:20 Left side view, middle to long shot Bounty hunter 3: This might of bounty hunter 3. He bends down come in handy later. and picks up a stick of TNT from a crate on the floor. 602 1:06:24 Front view, long shot of the bounty Bounty hunter 2: Ok, let¹s go! hunters. They walk towards the camera with their weapons ready. Scene # Time Estimate Scene Description Dialogue 603 1:06:30 Front view, middle to long shot of Juan: We¹re dead. Carlos and Juan. Juan walks backward as he speaks. Carlos: I still have a trick or two up my sleeve. 604 1:06:35 Camera is in same position, but it is Bounty hunter 1: We¹ve finally turned to point down the staircase. got you. All three bounty hunters come into view and aim their guns at the camera. 605 1:06:40 Carlos is shown. He has a remote Carlos: Not yet! control in his hand. The camera tilts down and shows a Ricochet RC car. It has a grenade on top of it. 606 1:06:44 The camera is located on the floor at Bounty hunter 2: Aahhhh!! the top of the stairs, directly behind the R/C car. The car zooms away from the camera and down the stairs. The camera moves forward a little to show the stairs, and the bounty hunters at the bottom. They step back as far as they can. 607 1:06:48 Back view, middle to long shot of Bounty hunter 3: Get away! the bounty hunters. They turn and run toward the camera and over to the left side of the screen. 608 1:06:51 The car is shown tumbling down none the stairs. Camera is at the bottom of the staircase. 609 1:06:54 Front view, long shot of the bounty none hunters. They run toward the camera. They go in the general direction of the garage door. 610 1:06:58 The remote controlled car is shown; none left side view, middle shot. As the car moves toward the bounty hunters the camera pans to the left. In the background the bounty hunters can be seen near the garage door. 611 1:07:02 Front view, middle shot of Carlos and Juan Dolla: Nice drivin¹ Carlos! Juan. They run down the bottom couple of stairs and toward the garage door. Carlos has the car¹s remote in his hand. Scene # Time Estimate Scene Description Dialogue 612 1:07:02 Mid to long shot, rear/ left side view B.H. 1: Uggh... Come on, push of the bounty hunters. The three of them harder you wimps! are struggling to open the garage door. 613 1:07:05 long shot, rear view of the bounty None hunters. The camera is directly behind the R/C car. It approaches the bounty hunters. 614 1:07:08 Close up front/ right side view of bounty Bounty hunter 3: Ugghhh..... hunter 3. He is grimacing as he pushes with all his strength to open the door. 615 1:07:12 Long shot, right/ rear view of the None three hunters. They manage to open the door about halfway, and they quickly go through the opening before it closes on them. 616 1:07:15 Close up, front view of Carlos. He Carlos: Come onnnnn... is still controlling the car. 617 1:07:17 Front view of the car speeding toward None the garage door. Camera is low down to the ground. 618 1:07:20 Front/ right side view of the bounty None hunters on the other side of the door. At the end of the scene the door has closed almost all the way. 619 1:07:22 Camera is positioned outside, none near the door. It points downward at a 45 degree angle and shows the car fly out from the garage at the last possible moment. before the door shuts. 621 1:07:25 Camera shows bounty hunter 2. He none covers his face and turns away from the grenade. The camera is a little bit over his head, pointing down at him. 622 1:07:29 Side view, middle shot of the R/C car. none It flies through the air and lands, after being thrown from off the screen. The scene is done in slow motion. 623 1:07:32 Bounty hunter 1 is shown. Close up, none rear view. He turns toward the camera with his eyes shut, trying to get away from the blast. Scene # Time Estimate Scene Description Dialogue 624 1:07:36 Slow motion fiery explosion. The camera None. does not actually show the expensive RC car blowing up, it just shows fire and smoke. Camera is pointed upwards, so that the horizon is near the bottom of the screen. the explosive charge is directed upwards, so that no debris will damage the camera. 625 1:07:38 Close up, front view of bounty hunter None 3. The scene in done in slow motion. He Flies toward the camera. His face is burnt and bloody. The scene is very short. 626 1:07:40 Close up shot of all kinds of debris None randomly flying through the air. There is lots of smoke in the background. 627 1:07:42 middle shot back view of bounty None hunter 3. He falls backward and lands almost on top of the camera, on the ground, making the entire screen black. 628 1:07:46 Carlos and Juan are shown. It is Carlos: I think we got them for a front view, middle to long shot. good. They walk forward. 629 1:08:05 The bounty hunters are shown. Bounty hunter 1: That felt Camera is high up, pointed down on worse than last time. them. Slowly, bounty hunter 1 and 2 get up. Bounty hunter 3 is dead. After Bounty hunter 2: Oh no! Looks bounty hunters 1 and 2 speak, bounty like agent Z-99 is dead. hunter 3 momentarily wakes up and expresses his personal feelings Bounty hunter 1: Oh well. I¹d toward bounty hunter 1. The he really like to say that he was dies. a good bounty hunter, but really it was me who did all work around here lately. Bounty hunter 3: Fuck you. 630 1:08:10 Close up to middle shot to bounty hunter Bounty hunter 1: Apparently, 1. He speaks to bounty hunter 2, who agent Z-99 wasn¹t cut is not on the screen. out to be a GLOB bounty hunter. Scene # Time Estimate Scene Description Dialogue 631 1:08:15 Close up to middle shot of bounty Bounty hunter 2: We¹re gonna hunter 2. need some backup. Let¹s contact The Leader. 632 1:08:21 Carlos and Juan are shown. It is a Juan: If that grenade didn¹t front view, middle to long shot. finish them off, I don¹t After Juan speaks, the camera zooms know what will. out, revealing two figures, one on each side of the screen, in the fore Federal Agent 1: We will. ground. They are the federal agents. They are bloody and injured, but not hurt too badly to be able to fight. Federal agent 1 holds a bat. Agent 2 holds a pipe. 633 1:08:26 The camera shows Carlos and Juan in Federal agent 1: But first, the foreground, facing away from the we¹re gonna finish you camera, and the federal agents in the off. background; The exact opposite of scene 632. 634 1:08:30 Close up of bounty hunter 1 pushing none buttons on his walkie talkie, contacting The Leader. 635 1:08:38 Close up to middle shot, front view, Bounty hunter 1: Come in Leader of bounty hunter 1, talking to The Our unit has suffered Leader through his walkie talkie. casualties to exactly thirty three and one third percent of its men. We request backup immediately. Over and out. 636 1:08:42 The outside of the GLOB building is none shown. 637 1:08:55 A close up of The Leader¹s hand is The Leader: That was agent A-1 shown. He puts a telephone on the He is requesting back-up. A receiver. The camera zooms back third of his men have already to show the silhouetted side of The been killed by Carlos and his Leader. He speaks to Mandella sidekick, Juan Dolla. Cortez and Mr. Clean, who aren¹t on the screen. A jar of peanuts is on his desk. Scene # Time Estimate Scene Description Dialogue 637 1:09:40 Rear view, middle to long shot of The The Leader: Mandella Cortez. Leader. Camera is in same position it Mr. Clean; GLOB needs you- to is in Sinfield when George speaks with go to that warehouse; to defend George Steinburner. The Leader grabs justice and peace in East Wood- the jar of peanuts and holds it in his land, Maine; to bring Carlos hand. He tosses a walkie talkie to to his doom. (And while Mandella Cortez. They walk out the you¹re there, do you think you door after The Leader is done speaking could bring back a gun or two? to them. In the background the entire I¹ve got this jar of fresh, time, two guards are standing. honey-roasted peanuts, but I just can¹t open it. I don¹t have the strength I used to have. I¹ve decided that the only thing to do is to just blow the damn jar away. But we don¹t have any more guns here at GLOB head- quarters. They¹ve all been taken by the other bounty hunters. If possible, try not to bring back a shotgun. If there¹s one thing I hate, it¹s pellets in my peanuts. Here. Try to keep in touch. Have fun. Don¹t get hurt.) 638 1:09:49 The room outside of the Leader¹s Mr. Clean: He¹s a real talker. office is shown. Mandella Cortez and Clean walk out. It is a front/ left Mandella Cortez: He must get side view, middle to long shot. hungry sitting down here all Mandella Cortez holds a walkie talkie. day. Mr. Clean: Who wouldn¹t? 639 1:10:06 Middle shot, front view of the Leader. The Leader: Ha! They bought it. For the first time, he leans forward Now, they¹re gonna either get a little bit, so that his face comes out shot at the warehouse, or of the shadows. He speaks to the they¹ll come back here, where I guards, who aren¹t on the screen. can shoot them, as soon as they get me some weaponry! Meanwhile, they¹ll probably kill Carlos and Juan Dolla. I¹m gonna get Œem all killed and collect all the bounty! I can¹t loose! 640 1:10:12 Middle to long shot, front view of Guard 1: Very impressive plan! the guards. Guard 2: You sure know how to make us rich all right! Scene # Time Estimate Scene Description Dialogue 641 1:10:22 Same camera angle as in scene 639. The leader: Who ever said ³We²? I¹m the one who hordes the money around here. What do you get? Four-thirty an hour? Peanuts! ...I guess I¹ll let you have some if Cortez and Clean make it back here. 642 1:10:30 The guards are shown again. They Guards 1 and 2: Ha Ha!.... ... pretend that they think The Leader is funny, then ask him Guard 1: By the way, I didn¹t something. know that Cortez and Clean were criminals. Who was it that put a bounty on their heads? 643 1:10:35 The leader is shown once more. The Leader: You wouldn¹t believe me if I told you... 644 1:10:38 The warehouse is shown again. Carlos Carlos: We can take these guys. and Juan are shown; front view, middle to long shot. They hold their fists up, ready to fight. Then they run up towards the camera. 645 1:10:42 Side view of Carlos, Juan, and the Federal agent 1: I doubt it! federal agents. Carlos and Juan are on the left side of the screen. They charge into each other and start fighting. Although the federal agents have weapons, Carlos and Juan are able to dodge their blows without much difficulty. 646 1:10:45 Front view, middle shot of federal Federal agent 1: Ugghh... agent 1. Carlos is in the foreground trying to hold off his attack, with his back to the camera. 647 1:10:48 Left/ front angled shot of Juan none and federal agent 2. It is a mid to long shot. They fight each other. 648 1:10:49 Close up shot of bounty hunter 1. He none swings his bat very close to the camera. Scene # Time Estimate Scene Description Dialogue 649 1:10:50 Close up shot of Carlos. He moves his none head to the left side of the screen as the bat swings onto the right side of the screen. 650 1:10:53 Same camera angle as in scene 645. none Carlos and Juan continue to defend themselves against the federal agents. 651 1:11:00 They continue to fight. Same camera Juan: Uugghhhhh.... angle as in scene 647. The feds begin to take overpower Juan and Carlos. Federal agent 2: Errraaahhh! Fed 2 knocks Juan to the floor. Juan quickly rolls away before the fed can hit him, then he gets up and throws himself on him. 652 1:11:04 front/ right side view of federal none agent 2. Juan is in front of him. The federal agent pushes him away with pipe. Juan stumbles. 653 1:11:10 Carlos is shown. It is a front/ left none side view, middle to long shot. He and federal agent 1 slug it out. The federal agent stumbles backward, them regains his balance and charges at Carlos with his bat. 654 1:11:12 Front view, close up to middle shot of Federal agent 1: Yaaaa!! federal agent 1, jumping through the air, about to swing at Carlos. 655 1:11:14 Front view, middle shot of Carlos. He none turns away from the camera as the federal agent comes down on him with his bat. The bat is just about to hit him in the back of the shoulder as the scene ends. 656 1:11:15 Close up shot of the bat hitting Carlos none in the back of his shoulder. 657 1:11:18 Front view, middle shot of Carlos, Carlos Auuurrrggghhh! with the camera near the floor. He falls on his face in pain. Scene # Time Estimate Scene Description Dialogue 658 1:11:24 Front/ left side view of federal agent none 2. Juan is standing in front of him. It is a long shot. The federal agent takes a few swings at Juan with his Juan is almost hit. He takes a few steps backwards, and trips over Carlos, who is lying on the floor. As he falls, the camera tilts down- ward the scene ends before he actually lands. 659 1:11:27 Front view, middle shot shot of Carlos . none He grimaces in pain as Juan lands on top of him. 660 1:11:37 ³Top² view, middle to long shot of Federal agent 1: wimps. Carlos and Juan. The camera pans from them to the federal agents, who are Federal agent 2: ha ha... both standing over them. 661 1:11:43 Camera shows Carlos¹ and Juan¹s Federal agent 1: Let¹s bring perspective. The camera¹s focus Œem in... keeps fading in and out. The two feds stand over Carlos and Juan. At the end of the scene, federal agent 1 is just about to reach down toward the camera with a pair of handcuffs. 662 1:11:44 Close up shot of an unidentified hand none (Mr. Clean¹s) is shown, firing a gun. 663 1:11:48 back view of federal agent 1. A blood none pack on the back of his left thigh explodes. He turns around in fear, and at the same time, falls to the floor. 664 1:11:52 Middle shot of Carlos and Juan, surprised. Juan Dolla: What the... They crawl off each other, and turn to face Mandella and Mr. Clean. 665 1:11:59 Front view, middle to long shot of Mandella Cortez: That wasn¹t Mandella Cortez and Mr. Clean. Mr. to save your butt, Clean holds the gun that he just used Carlos. We¹d like the to shoot the federal agent. opportunity to finish you off ourselves. 666 1:12:03 Front view, middle shot of Carlos, Carlos: Why? How¹d you turning to face Mandella Cortez and know I was here? Mr. Clean. In the background, federal agent 2 can be seen running away from the area. Scene # Time Estimate Scene Description Dialogue 667 1:12:10 Same camera angle as in scene 665. Mandella Cortez: Because I¹m the one who hired the GLOB agents to catch you. We didn¹t feel very safe with you outta jail. 668 1:12:15 Front view, middle shot of Carlos. Carlos: Why didn¹t you just break me outta jail two years ago? 669 1:12:16 Same camera angle as in scene 665. Mr. Clean: Boss said it would be too risky. 670 1:12:19 Same camera angle as in scene 668. Carlos: Screw the boss. 671 1:12:27 Same camera angle as in scene 665. Mandella Cortez: It¹s clean-up Mandella Cortez pats Mr. Clean on time. the back and speaks, as he walks behind him. Then Mr. Clean aims Mr. Clean: Goodbye, Carlos. his gun at the camera and speaks. 672 1:12:31 Carlos is shown. It is a middle to long none shot, front view. He is frightened. The camera slowly zooms (dollies) toward him. 673 1:12:36 The inside of the garage door is Bounty hunter 1 & 2: Uggghhh... shown. It slowly opens up. The bounty hunters can be heard from behind the door. The scene ends when the door is about one third open. 674 1:12:40 Front view, middle to long shot of Mandella Cortez: Oh what the Mandella Cortez and Mr. Clean: They fuck is it now?... are distracted by the noise of the door. 675 1:12:49 Same camera angle as in scene 673. Bounty hunter 1: GLOB agents The bounty hunters struggle to open the A-1 and A-2, at your garage door. When they finally have it service. open, they speak. Scene # Time Estimate Scene Description Dialogue 676 1:13:00 Front view of Mandella Cortez (as he Mr. Clean: I thought we were faces the garage door.) It is a middle at your service. You shot. were having a pretty tough time with these guys. Bounty hunter 1: Yeah, thanks for dropping by. Mr. Clean: Sure. I¹ve got everything under control. 677 1:13:04 Same camera angle as in scene 673 Bounty hunter 2: All right then. Might as well shoot Carlos before he disappears from right out in front of you. 678 1:13:09 Front view, middle shot of Mr. Mr. Clean: Gladly. Clean (facing Carlos). At the start of the scene he is facing the garage door. While he speaks, he slowly turns his head toward the camera. Then he aims his gun at the screen and has a look of surprise on his face. 679 1:13:14 Same camera angle as in scene 672. Mandella Cortez: I don¹t believe Carlos and Juan are gone. it. 680 1:13:19 Front view, mid to long shot of Mandella Cortez: How could you Mandella Cortez and Mr. Clean. let this happen, you fool! 681 1:13:24 Front view, long shot of the bounty Bounty hunter 1: Looks like you hunters walking toward Mandella let them slip through Cortez and Mr. Clean. Mandella your fingers. and Clean are in the foreground, on the right side off the screen. Bounty hunter 2: Gotta be quicker on the draw. 682 1:13:31 The camera pans the area where Mandella Cortez: Where¹d he Carlos just was, but there is no go? trace of him. Scene # Time Estimate Scene Description Dialogue 683 1:13:37 Middle shot of Mandella Cortez. The Mandella Cortez: I was that camera is slightly above him, tilted close... downward at an angle. He turns his head from left to right, and the camera pans around him. Mr. Clean and the bounty hunters are in the background. 684 1:13:46 Middle to long shot, front view of Carlos: Close only counts in Carlos, holding the rocket launcher. hand grenades and he aims it at the camera. The horseshoes. camera dollies back and shows the I have hand grenades... bounty hunters on the right, and Mandella Cortez and Mr. Clean on the left, as it moves. They all look surprised and terrified, and they put their hands up. 685 1:13:54 Camera shows a close up shot of Carlos: ...But I also have the rocket launcher. It dollies something much, much down the length of it. When it better... reaches the part of the rocket launcher that Carlos is holding in his hands, it dollies back, to show a left side view of Carlos. 686 1:13:57 Front view, middle shot of Mandella None Cortez. The camera dollies in toward him. 687 1:14:59 Front view, middle to long shot of Bounty hunter 1: Auughhh... bounty hunter 1. He turns away from the camera and starts running. 688 1:15:02 Front/ left side view, middle to long None shot of Carlos. He fires the rocket launcher at Bounty hunter 1, who is off of the screen. 689 1:15:05 Right side/rear view of bounty hunter None 1, who is facing away from Carlos. It is a middle to long shot. The rocket whizzes past him and he turns toward garage door, which is open. 690 1:15:09 Left side view, middle to long shot of None Mandella Cortez, Mr. Clean, and bounty hunter 2 following bounty hunter 1 towards the garage door. The camera pans to the left as they run. Scene # Time Estimate Scene Description Dialogue 691 1:15:13 Front view, long shot of everyone as Bounty hunter 1: Get away! they run out of the garage door. Some run to the left side of the camera, and some to the right. Carlos comes out last, with the rocket launcher. 692 1:15:17 Rear view, middle to long shot of None Mandella Cortez. He turns around to look back at Carlos as he runs. 693 1:15:22 Front/ right side view of Carlos. He None aims the rocket launcher and shoots it in slow motion. The rocket flies to the right side of the camera. The sound of the rocket is heard in slow motion, also. 694 1:15:25 Another slow motion shot. Bounty None hunter 1 is shown. It is a front view, close up shot. The rocket flies toward him. Just as it hits him, the scene ends. The sound for this scene is also done in slow motion. 695 1:15:29 Rear view, middle to long shot of None bounty hunter 1 falling backward, towards the camera. A clock can be heard ticking in the background. After B.H.1 has fallen far enough so that he is no longer on the screen the scene ends, and the next one starts without the camera haven been moved at all. 696 1:15:33 A large explosion comes up from None underneath the view range of the camera. The charge is directed mainly upward so that it doesn¹t damage the camera. It is in slow motion, and so are the sound effects. Bounty hunter 1 is now dead. 697 1:15:36 Carlos is shown. It is a front/left None side view, middle to long shot. He fires off another rocket, in slow motion, with slow motion sound effects. Scene # Time Estimate Scene Description Dialogue 698 1:15:39 Close up, front view of bounty hunter None 2. The rocket is not shown hitting him, but the expression on his face tells the whole story. The sound effects from the previous scene are continued into this scene. It is in slow motion. 699 1:15:42 Left side view of bounty hunter 2 None falling down. When he is off screen the scene ends, but the camera position is not changed. It is in slow motion. 700 1:15:46 Same camera position as last scene. None Big explosion in slow motion. 701 1:15:50 Mandella Cortez is shown, running None away. It is a right side view of him. 702 1:15:53 Same video footage is used as with None scene 693. 703 1:15:57 Front view of Mandella Cortez. He Mandella Cortez: Ugggghhhh.... is half facing Carlos, but is still running away from him. A wire guided rocket brushes the side of him, but doesn¹t explode. 704 1:16:01 Close up to middle shot of Carlos. Carlos: Damn. He does not fire the rocket launcher again, because Mandella Cortez is too far away. 705 1:16:06 Long shot, Rear/ right side view of None Mandella Cortez running up toward the part of the barn with the big wooden bridge. The screen quickly fades out. 706 1:16:12 Camera shows the bridge area. It is Federal agent 1: Uggh... Hey, underneath the side of the bridge please, stop. that is furthest south. The camera pans to the left, and Mandella Cortez runs past, to the left side of the camera. He passes by federal agent 1, who is crouching, badly injured, against the side of the building. Lots of fake blood is oozing out of his left thigh. Scene # Time Estimate Scene Description Dialogue 707 1:16:21 Middle shot, left side view of the Federal agent 1: Uhhh... I¹m federal agent. The camera faces dying... away from the nearby dirt road, towards Mandella Cortez, who has Mandella Cortez: How did you already passed by the Federal feds know that we¹d be Agent. Mandella Cortez turns here? around, and starts walking toward him. 708 1:16:32 Camera is located behind Mandella Federal Agent 1: We got access Cortez¹s left shoulder. A long shot of the G.L.O.B. computer the badly wounded federal agent network. Found out is shown. what G.L.O.B.¹s mission was. Everything was there. It had G.L.O.B.¹s master plan... 709 1:16:35 Same camera angle as in scene 707. Mandella Cortez: What are you talking about? 710 1:16:44 Same camera angle as in scene 708. Federal agent 1: It had all the details about where Carlos was, how they were going to catch him and kill him... and you, too. 711 1:17:17 Same camera angle as in scene 707. Mandella Cortez: What do you mean? G.L.O.B¹s not after me. I¹m a criminal, but there isn¹t any reward for my capture. I was helping G.L.O.B. get Carlos! Federal Agent 1: They sent you here so that you could be killed. Also, they thought that while you were here, you¹d be able to help them by killing Carlos for them. Afterwards, they¹d be able to capture you, weather you were dead or alive. Mandella Cortez: But why kill me? Who put a bounty in my head? Scene # Time Estimate Scene Description Dialogue 712 1:17:22 Same camera angle as in scene 708. Federal Agent 1: Carlos. After the federal agent speaks, he dies. As soon as he speaks the ³Entrance to Torian² music starts playing in the background, and the screen fades out. 713 1:17:26 The outside of the G.L.O.B. building is None. shown. Music continues. 714 1:17: 41 The inside of the G.L.O.B. building is Mandella Cortez: It¹s Clean-up shown. The camera is located in the time. space between the main cellar and the fallout shelter of Jesse¹s house. Mandella Cortez and Mr. Clean are shown. It is a front/ left side view, middle to long shot of them. After Mandella speaks,they step out of the area and walk toward the Leader¹s office. The camera does not pan; it dollies to the right. They stop for a moment when they get to the door to the Leader¹s office. Music continues. 715 1:17:45 Right side view, middle to long shot None of Mandella Cortez and Mr. Clean. Mandella opens the door and steps in, and Mr. Clean follows him in. Music fades out. 716 1:17:52 Camera is located inside the office. The Leader: Ah... I see you¹ve The Leader is shown at his desk. To returned. Have you the left of him his three guards are brought back any standing. They are not armed. The weapons for me? Leader has a jar of peanuts on his desk. Mandella and Mr. Clean step in front of the camera and stand in the right part of the frame. Cortez is partially off of the screen. 717 1:17:55 Front view, long shot of Mandella Mr. Clean: Only one gun. Cortez and Mr. Clean. Cortez is to the left. On the right side of the side of the screen, a couple of the guards can be seen. Cortez and Clean wear humbled expressions. 718 1:18:04 Same camera position as in scene 716 The Leader: I thought I ordered you to bring back as much weaponry as possible. What do you have to say for your- selves? Scene # Time Estimate Scene Description Dialogue 719 1:18:07 Same camera angle as in scene 717. Mr. Clean: One gun¹s enough for Mr. Clean aims his pistol at the guards this clean-up job. to his right, and the camera pans to the right. 720: 1:18:09 Front view, middle shot of Mr. Clean, Mr. Clean: You¹re history. aiming his gun at a guard, who is not on the screen. 721 1:18:15 The three guards and the leader are Guard 1: Aurgh... shown. It is a wide shot. A blood pack explodes in the first guard¹s Guard 2: Ugggggggggghhhhh... chest, and he falls down. A couple seconds later this happens to the Guard 3: Arrruugghh...... second guard, then to the third. 722 1:18:19 Front view, middle shot of Mandella Mr. Clean: Goodbye, GLOB! Cortez and Mr. Clean. Mr. Clean aims aims at the Leader. 723 1:18:22 Left side view, middle to long shot of Carlos: This one¹s mine Mr. Clean, about to shoot. Suddenly, Carlos comes through the door to the office. He aims a machine gun at The Leader. He holds a green ammo box. 724 1:18:29 Front view, middle to long shot of The None. Leader. Several blood packs on his body explode in rapid succession. His body shudders with the impact of the bullets. 725 1:18:33 Front/ right side view, middle to long Mandella Cortez: Shoot him!!! shot of Carlos (on the left), Mandella and Mr. Cortez. After 2 or 3 seconds, Mandella Cortez steps out from between Carlos and Mr. Clean and yells ³shoot him² to Mr. Clean. Mr. Clean aims his pistol at Carlos. 726 1:18:35 Close-up shot of Mr. Clean¹s gun. He None pulls the trigger, but he is out of ammo. 727 1:18:39 Middle shot, right side view of Carlos. None He lunges at Mr. Clean, and grabs him and throws him out of the doorway. During the scene the camera dollies back and pans toward the doorway. Scene # Time Estimate Scene Description Dialogue 728 1:18:47 Carlos charges through the doorway Mr. Clean: Uggh... I¹m sorry, after Mr. Clean. He grabs him and man!..... knocks him senseless. Then he runs back into the office. It is a middle-to- wide shot. 729 1:18:55 Camera is back in the office. Carlos Carlos: Sit in the chair, you goes over to where Mandella Cortez low life! is cowering, in the dark corner behind The Leader¹s desk. He points his gun at Mandella while throwing The Leader¹s body out of his chair. He then orders Mandella to sit in the chair. 730 1:19:04 Middle-to-long shot of Mandella in the Carlos: Now, get into G.L.O.B.¹s chair. (Rear view.) The computer files. I need to find out screen on the desk is clearly visible. the current location of Carlos is on standing to the right of the retired bounty Cortez, with his gun to his ear. hunter who murdered my dad back in 1960. 731 1:19:08 Close up, front view of Mandella¹s None sweaty, nervous face. Gun is to his head still. Keyboard clicking is heard in the background. 732 1:19:16 Close up of the computer monitor. None The G.L.O.B. database is shown. Mandella comes up with a screen full of information on the bounty hunter who killed Carlos¹ father. 733 1:19:22 Close up of Cortez. Camera moves Carlos: Yeah, this is just what up and to the left to show Carlos. I need... He has a satisfied grin on his face. 734 1:19:28 Wide shot, showing the scene from Mandella: I got you what you in front of the desk. Carlos, still wanted, are you pointing his gun at Mandella, picks gonna let me go? up a rope from the floor, and begins tying Mandella to his chair. Carlos: I¹ll only let you go to Hell. 735 1:19:35 Close up showing Carlos tying Cortez Mandella: What the heck is to his chair. He stands up and takes that?! a medium-sized device out of a green ammo-box that he carried in with him. Scene # Time Estimate Scene Description Dialogue 736 1:19:40 Close-up of the device, being put on Carlos: I suppose this is your the floor at Cortez's¹ feet. Carlos key outta here. flicks a switch on the thing, and it lights up. 737 1:19:49 Wide shot, from the front of the desk. Carlos: It¹ll go off as soon as the Carlos casually walks toward the cops come. Their flash- left of the camera. lights will activate the detonation, cause it¹s a light-sensitive explosive. 738 1:19:53 Front view, Close up of Mandella. Mandella: The cops won¹t need flashlights! It¹s bright enough in here... 739 1:19:58 Middle shot of Carlos, from Cortez¹s Carlos: Oh yeah? perspective. He is near a panel on the wall. 740 1:20:03 Close up of Carlos Kicking the control None panel. The lights flicker out. 741 1:20:09 Close up, front view of Mandella. Carlos: Well, I¹m outta here. Carlos puts a piece of duct tape over Mandella¹s mouth. 742 1:20:13 Wide shot of the house of the bounty None hunter who killed Carlos¹ father. 743 1:20:28 Bounty hunter is shown inside his Hunter: There you go, honey... house, polishing a revolver. He places All nice and clean and it on a shelf next to several other shiny! firearms. He hears a knock at his door. 744 1:20:35 Middle shot of Bounty hunter opening Hunter: Who be dat? a small window within his door, to see who is there. 745 1:20:39 Carlos is visible through the hatch in Carlos: Hello. I¹m from the the door. intelligence division of G.L.O.B. I need to ask you a few questions. 746 1:21:44 Bounty hunter is visible through the hole, Hunter: Sure, what do you as seen from Carlos¹ point of view. need? Oh, come on in. He opens the door for Carlos. Scene # Time Estimate Scene Description Dialogue 747 1:12:58 The camera is back inside the house. Carlos: Ok, first of all, did you Carlos steps in, and asks a question. kill a Mexican thief back around 1960? Hunter: How should I know? I¹ve killed more people than I can count. I¹ve probably killed fifty Mexican thieves since I became a G.L.O.B. agent 748 1:13:02 Close up of Carlos. Carlos: Thank you. That¹s all I need to know. 749 1:13:15 Wide shot, showing entire entry area Carlos: You¹re probably the of the house. Carlos goes outside quickly right one... then returns, holding a rocket launcher. He shoots it at the bounty hunter at Hunter: Now, I like guns and point-blank range. Then he pushes a all, but I really don¹t huge cabinet full of the bounty hunter¹s think that huge cigar china dinnerware and prized collection belongs indoors... of firearms down on top of him. Auuughhhhhh!!!!! 750 1:13:25 Camera shows the outside of the house. Carlos: One more for good Carlos steps out, then reloads his luck... launcher with a more powerful rocket, takes a few steps back, and fires it at the house. It comes crashing down. 751 1:13:30 Close up of Carlos. Carlos: That takes care of that. 752 1:13:38 Mandella Cortez is shown. He is bound and None gagged still. He hears footsteps. He is scarred. 752 1:13:45 Three police officers are shown cautiously Officer: Who the hell put all the moving down a dark corridor in the G.L.O.B. lights out? building. They hold flashlights. 756 1:13:52 Close up of Mandella. Suddenly a yellow Officer: Hey! Who did this to light shines onto his face. The Officers you? have found him. Mandella: Turnf off fa fights...! Turnf off fa fights!!!! 757 1:13:56 Close up of the bomb on the floor. It makes Mandella: Turnf off faff....... a couple clicking sounds, then the screen turns pure white. 758 1:14:03 The G.L.O.B. building is shown blowing up. None A tremendous explosion rips the place to shreds! Scene # Time Estimate Scene Description Dialogue 759 1:15:00 Carlos is shown walking off, into the None sunset, as the noise from the thunderous explosion fills the air, even though it is coming from so far away. Carlos passes a sign that reads ³Welcome to Canada- Land of peaceful wilderness.² As he passes the sign, the screen slowly fades out. The last thing to disappear from the screen is the lens flare, which is on the screen as a result of the camera¹s facing toward the sun. At this point, the credits start scrolling up the screen. EL FIN ©1997 No Tomorrow Nuclear Assault Home Video Corp. In association with SIK-O-VIDEO Corp.